Comics, Movies, Gaming News & Podcasts - : Events https://ishookcomics.net/rss/category/events Comics, Movies, Gaming News & Podcasts - : Events en Copyright © 2025 iShook. All rights reserved. Real-world calls for the Needful Execution of Monstrous Hellhound Judge Guy Mitchell rise https://ishookcomics.net/real-world-calls-for-the-needful-execution-of-monstrous-hellhound-judge-guy-mitchell-rise https://ishookcomics.net/real-world-calls-for-the-needful-execution-of-monstrous-hellhound-judge-guy-mitchell-rise Sat, 11 Apr 2026 12:22:52 -0400 BLBlankenship

A Monumental Injustice in the Bronx: Hero NYPD Sergeant Erik Duran—15-Year Veteran—Sentenced to Prison by Activist Judge Guy Mitchell for Stopping a Fleeing Drug Suspect, While New York City Burns Under Soft-on-Crime Policies

In a ruling that has ignited fury across law enforcement, the families of crime victims, and everyday New Yorkers fed up with chaos, Bronx Supreme Court Judge Guy Mitchell has sentenced former NYPD Sergeant Erik Duran to 3 to 9 years in state prison. This is not for corruption, brutality, or any premeditated evil. It is for a split-second decision during a chaotic 2023 undercover narcotics operation in the Bronx, where Duran hurled a picnic cooler filled with ice and drinks at a fleeing drug suspect on a motorized scooter—Eric Duprey, 30—to prevent him from escaping and potentially endangering officers or the public. Duprey crashed, suffered fatal head injuries, and died. Duran, a dedicated 15-year veteran who grew up in the Bronx and joined the force to protect the very community he served, immediately rushed to aid the suspect, expressing profound remorse in court.

This was not murder. This was not reckless indifference. This was a narcotics sergeant doing exactly what society demands of its police: stopping a criminal in the act during a high-stakes bust. Yet Judge Mitchell, in a bench trial where he alone decided guilt, convicted Duran of manslaughter and dismissed the defense that the action was justified to protect fellow officers. At sentencing on April 9, 2026, Mitchell openly declared the punishment would serve as a "general deterrent" to other police officers—revealing a chilling anti-cop ideology that prioritizes criminals over those who risk their lives daily.

Sergeant Erik Duran: 15 Years of Honorable Service to the Bronx Community

Duran, badge #1423, joined the NYPD in January 2010. A Bronx native, he rose to narcotics sergeant, working undercover in some of the city's most dangerous drug hotspots. He served in the 44th Precinct, Patrol Borough Bronx, and Narcotics Borough Bronx—putting himself in harm's way to take dealers and guns off the streets. Colleagues describe him as a dedicated family man and protector of the vulnerable. Over 15 years, he made countless arrests, mentored younger officers, and embodied the "serve and protect" ethos that once defined the NYPD. His record shows a cop who lived the job, not some rogue actor. The Sergeants Benevolent Association (SBA) rallied behind him with a petition signed by over 11,000 officers demanding no jail time. "When you have to sit there and make decisions in split-second time," SBA President Vincent Vallelong said, "what's going to happen when every single police officer turns around and says, well maybe I shouldn't make that decision?"

Duran's actions that August 23, 2023, day were textbook police work in a botched flight by a known drug suspect. Duprey, on a scooter, was evading arrest in a high-crime area. Throwing the cooler was an improvised tool to disable the vehicle—not a deadly weapon aimed at murder. Duran showed humanity afterward by trying to save Duprey's life. To imprison this man is to declare open season on proactive policing.

Scooter rider Eric Duprey died in homicide: NYC medical examiner

Judge Guy Mitchell: The Activist in Robes with a Troubling Track Record of Leniency Toward Criminals and Hostility Toward Cops

Who is this judge imposing such a monstrous sentence? Guy Mitchell, a Harlem native appointed to the bench by progressive Mayor Bill de Blasio in February 2015 as a Criminal Court judge. He was later elevated to Bronx Supreme Court, with reappointment by Mayor Eric Adams in 2022. Mitchell's credentials sound impressive on paper: SUNY Albany undergrad, J.D. from Ohio Northern University; former Bronx ADA prosecuting homicides and bias crimes; assistant state AG under Eric Schneiderman heading the Harlem-Bronx office; even a stint as Chief of Criminal Division in the U.S. Virgin Islands DOJ. He belongs to the Black Bar Association of Bronx County and Dominican Bar Association.

But scratch the surface, and a pattern of questionable, activist leniency emerges. In 2018, as a Manhattan judge, Mitchell handed a sweetheart deal to 19-year-old Branlee Gonzalez, an alleged "Gorilla Stones" gang member who viciously beat two strangers for catcalling his girlfriend—one died. Prosecutors begged for at least 10 years; Mitchell gave Gonzalez just nine months for manslaughter and attempted assault. This is the same judge who now throws the book at a cop for a split-second stop of a fleeing felon.

Mitchell's sentencing remarks in Duran's case drip with bias: he rejected the "justified" defense, claiming Duran was simply "upset that Mr. Duprey was getting away." He explicitly framed the prison term as a warning to other officers. Defense attorneys were "blindsided" by this "obvious anti-police bias," despite Mitchell's prosecutor background. One called it "repugnant" and "judicial abuse."

Is Judge Mitchell an activist judge? The evidence screams yes. Appointed by de Blasio—the mayor who championed "defund the police" rhetoric and progressive criminal justice reforms—Mitchell's career aligns with soft-on-crime ideology. His leniency toward a gangbanger who killed a homeless man while hammering a cop who stopped a drug runner fits the pattern perfectly. Social media and law enforcement voices are erupting: "NYPD-hating lunatic judge," "radical," "double standard and abuse of justice." Calls pour in for his removal from the bench—some frustrated citizens, pushed to the brink by endless crime, even vent extreme frustration calling for public accountability in the strongest terms. This isn't justice; it's ideological warfare against the thin blue line.

NYC judge who locked up 'cooler cop' faced anger for going easy on teen who killed homeless man

This Ruling Is Criminal—and Judge Mitchell Must Be Removed

Sentencing a decorated officer to prison for doing his duty isn't mere error; it's a monstrous offense against public safety. Police officers in prison face a nightmare: targeted by inmates seeking revenge, isolated, brutalized in ways civilians can scarcely imagine. Duran, a hero who protected his community for 15 years, now faces that hell because an activist judge prioritized a fleeing criminal over the rule of law. Mitchell's decision chills proactive policing citywide—exactly as he intended. If this stands, cops will hesitate, criminals will flourish, and more innocents will suffer. This judge's bias constitutes judicial misconduct. He should be investigated, impeached, and removed immediately. The people of New York deserve better than a bench weaponized against law enforcement.

NYC judge claims prison sentence for 'cooler cop' will serve as 'deterrent' to other police officers

The Backdrop: Exploding Crime in NYC Under Mayor Zohran Mamdani's "New Approach"

This outrage unfolds as New York City spirals under new Mayor Zohran Mamdani, who took office January 1, 2026, promising less police enforcement and more "civilian interventions." Results? Transit crimes spiked 17% in early 2026, with major felonies like assaults and robberies surging. Shootings and murders dipped in 2025 under prior leadership, but the final months saw upticks, and 2026 trends scream trouble.

Graphic horrors fill the streets and subways: innocent New Yorkers burned alive. In December 2025, an 18-year-old doused a sleeping homeless man with accelerant and set him ablaze on a 3-train at 34th Street-Penn Station—leaving the victim with catastrophic burns. Another case saw a woman immolated on a subway train; the suspect claimed blackout drunkenness after video evidence surfaced. These aren't anomalies—they're symptoms of a city where criminals feel emboldened while cops are demonized. Violence targets citizens and officers alike: random assaults, subway slashings, and brazen attacks on first responders. People live in fear, yet judges like Mitchell tie officers' hands.

NYC subway attack: Man accused of setting woman on fire told police he didn't remember it, court documents show. Then he saw the video | CNN

Social Media Suppression: Even X Silences the Truth

Outrage over this case spreads like wildfire—yet platforms suppress it. B.L. Blankenship, a vocal critic, had their X account suspended for highlighting Judge Mitchell's activism and Duran's heroism. The attached screenshots (provided directly by Mr. Blankenship) show the chilling notice: accounts deleted or restricted simply for defending police and exposing judicial overreach. Even under Elon Musk's X, certain narratives face censorship. This isn't free speech; it's protection of a broken system.

Former NYPD officer sentenced 3 to 9 years in prison in cooler death case | CNN

Defending Sergeant Duran: He Did His Job—Society Owes Him Gratitude, Not a Cell

There is every basis to argue this conviction and sentence are wrongful. Duran acted in the heat of an operation to apprehend a fleeing felon. No malice, no excessive force—just tools at hand in a dangerous moment. Juries or judges ignoring context betray the public they serve. Police unions, thousands of officers, and crime-weary citizens see the truth: this is anti-cop activism destroying the NYPD from within. Duran deserves exoneration, reinstatement, and the thanks of a city he served faithfully.

The outcry is deafening—from courthouse protests to social media storms demanding Mitchell's ouster. Some, in raw anger over rising bodies and burning victims, call for the judge's public reckoning in the harshest terms. We must channel that into action: appeal this sentence, remove biased judges, and restore law and order.

New York cannot survive without its police. Free Sergeant Erik Duran. Remove Judge Guy Mitchell. End the activist takeover of our courts before more heroes fall and more innocents burn. The blue wall must hold.

_________________________________________

I sincerely believe that people know what true justice really looks like. In the court of public conscience and the eternal ledger of divine reckoning, it is swift, unyielding, and righteous—untainted by the godless corruption that shields the wicked while crucifying the guardians of order. If this were a comic book story or a fictional movie unfolding in the shadowed streets of Gotham or Hell's Kitchen, audiences would rise as one in thunderous applause, standing and cheering as the godless, unjust, corrupt Judge Guy Mitchell lies in a pool of his own blood, his soul cast into the eternal fires of Hell that wait for him even now—where the demonic realm he invited devours its own.

In comics, there are so many superheroes set in New York City precisely because of the outrageous amounts of crime that goes on there—the relentless tide of violence, the corruption festering in the halls of power, and the very real demons that prey upon the innocent. Frank Castle, The Punisher, stalks those same mean streets, delivering the vengeance the system denies.

Marvel's the Punisher Lays the Beatdown on Cops Who Use His Skull Symbol for 'Blue Lives Matter' Movement - Newsweek

Not standing against this abomination is like being a mindless little bird swallowing up lies or like an ostrich burying its head in the sand while the city bleeds. We must condemn this Hellhound judge with every fiber of righteous fury and uplift this officer—Sergeant Erik Duran, a true hero of the NYPD—as well as the entire New York Police Department, the thin blue line that stands alone against the encroaching darkness.

This Ruling Is Criminal—and Judge Mitchell Must Be Removed

Sentencing a decorated officer to prison for doing his duty isn't mere error; it's a monstrous offense against public safety. Police officers in prison face a nightmare: targeted by inmates seeking revenge, isolated, brutalized in ways civilians can scarcely imagine. Duran, a hero who protected his community for 15 years, now faces that hell because an activist judge prioritized a fleeing criminal over the rule of law. Mitchell's decision chills proactive policing citywide—exactly as he intended. If this stands, cops will hesitate, criminals will flourish, and more innocents will suffer. This judge's bias constitutes judicial misconduct. He should be investigated, impeached, and removed immediately. The people of New York deserve better than a bench weaponized against law enforcement.

         Both, this currupt judge & Mayor Zohran Mamdani, are the real-life equivelent of the sort of villains you'd have in comic books or movie. Characters like Marvel Comics' Frank Castle/The Punisher, Rippaverse's Horseman, or Baron Comics Private American could easily be written in a street-level hyper-realistic story where they righteously slaughter filth like this. The only problem being, would some other evil fool take their place or would they be replaced by individuals who actually loved the citizens of New York City & had a true sense of justice.

        Currently, within Marvel Studios/Disney's Daredevil series it follows a comic book run where The Kingpin (a major villain) tried to take true heroes off of the streets, by empowering corrupt indiviuals. If you can't see the irony in that, there is something fundamentally wrong with you. To be blunt, if that is you, then you need heavy psychological & spiritual help. 

Key Sources for Further Reading:

  • NY Post coverage of sentencing and judge’s history.
  • CNN, ABC7, and NY1 reports on the case.
  • Crime stats and subway attacks via NY Post and local outlets.
  • NYPD CompStat reports (nyc.gov) and 2026 Q1 announcements detailing historic lows in murders and shootings under current leadership—yet underscoring the persistent threat fueled by policies that weaken the NYPD.

Key Sources for Further Reading:

  • NY Post coverage of sentencing and judge's history.
  • CNN, ABC7, and NY1 reports on the case.
  • Crime stats and subway attacks via NY Post and local outlets.

Justice demands it. The people are watching.

]]> Is Comicgate's Fans Fest the Comic Event from Hell?!?! https://ishookcomics.net/is-comicgates-fans-fest-the-comic-event-from-hell https://ishookcomics.net/is-comicgates-fans-fest-the-comic-event-from-hell Mon, 30 Mar 2026 12:38:01 -0400 BLBlankenship

For the Fans Fest: Comicsgate's Pricey, Poorly Timed "Disaster" That Demands Your Wallet, Your Time, and Your Travel Plans

In what many online are already labeling a complete disaster, Ethan Van Sciver and the self-proclaimed Comicsgate Kings have launched "For the Fans Fest"—a purported indie comic convention billed as a "one of a kind party weekend with the pros." The event, running October 16-18, 2026, at Harrah's Resort in Atlantic City, New Jersey, promises panels, a live Warlock Comic Awards banquet, and an exclusive convention floor. But dig into the details from its crowdfunding page on FundMyComic, and it quickly reveals itself as an overpriced, logistically nightmarish cash grab that exploits fans' loyalty while saddling them with massive hidden costs.

The campaign, launched just days ago on March 27, 2026, has raised a paltry $1,510 toward a $20,000 goal—with only five backers. That's not exactly a ringing endorsement from the "fans" it's supposedly for. In "keep it all" mode, the organizers pocket whatever trickles in regardless. Early reactions on X (formerly Twitter) are brutal: one post mocked it as a guaranteed flop where "there will be more creators there than fans," while others dismissed it as Comicsgate's "final shot at trying to gain any relevance" after repeated public stumbles.

Back-to-Back with New York Comic Con: Who Can Afford This?

Timing alone screams poor planning. New York Comic Con (NYCC), the massive East Coast juggernaut, runs October 8-11, 2026—meaning For the Fans Fest kicks off the very next weekend. Fans who just dropped hundreds (or thousands) on NYCC badges, NYC hotels, and travel now face an immediate follow-up trip to Atlantic City. NYCC single-day tickets run around $90 (with multi-day passes historically $250+ including fees), while For the Fans Fest offers a one-day pass for $60 or a two-day "Full Experience" for $100. On paper, that sounds like a bargain—until you factor in everything else the campaign doesn't cover.

The "exclusive room rate" at Harrah's? A discount code gets you rates starting at $108.99 for the first night (October 16), jumping to $166.99 the next, with a third night at $76.99—still adding up fast once taxes and fees hit, especially compared to Harrah's standard $250–$400 rack rates. Travel, meals, and incidentals? Entirely on you. For anyone hitting both events, this isn't a fun add-on; it's a second full con budget in back-to-back weekends, with no break for recovery or finances.

No Shipping, No Excuses: Pay Up and Show Up—or Go Home Empty-Handed

Here's the real gut punch: virtually nothing ships. The campaign is crystal clear that swag, limited prints, T-shirts, and other exclusives are pickup-only at the on-site administration booth. Higher-tier rewards like the $100 Kings United Print (limited to 100 copies, signed by the "Kings") explicitly state "Pickup only (shipping not included)." Even the $500 High Rollers package bundles tickets, banquet access, and merch—but you still have to physically attend to claim it all. T-shirts by Dan Lawlis, Joe Sonntag, or Vasilis Lolos? Grab them at the con or forget it. The convention floor itself implies the same for any comics or toys you buy from vendors: no mail-order convenience.

This isn't fan-friendly—it's fan-hostage. Attendees must cover flights, trains, gas, or rideshares to Atlantic City, plus lodging, on top of the ticket. Miss the weekend due to work, family, or budget? Tough luck—you're out the money for any pre-ordered exclusives, and the "early access" perks vanish. Compare that to virtually any other comic convention, where vendors ship, online stores exist, or digital perks abound. Here, the event weaponizes FOMO: show up in person or miss out entirely.

The Comicsgate Toxicity Tax

None of this exists in a vacuum. The event is explicitly tied to Comicsgate Kings—"CG KINGS" features prominently in the rewards, with guests including Ethan Van Sciver, Billy Tucci, Graham Nolan, Jon Malin, Shane Davis, and others. Van Sciver, long the public face of the movement, has a well-documented history of online feuds, harassment-adjacent controversies, and unfinished crowdfunding projects that have drawn criticism even from within indie circles. Comicsgate itself has been repeatedly described by outlets and observers as a toxic fandom force—more harassment campaign than constructive criticism—alienating mainstream fans and creators alike.

Recent X chatter reflects the fatigue: posts accuse the fest of being a "scheme" or "scam," reference internal CG drama (including claims of "Jewish collaborator" insults and failed attempts to expand beyond their bubble), and outright call it "For the Fats Fetish Fest" in mocking memes. One backer even joked about it being a gathering spot for the group's most extreme elements. Organizers like Matthew Rumer (the campaign creator) are leaning hard into the niche, but the numbers don't lie—barely any traction after launch.

Why This Is a Disaster in the Making

  • Financial Burden on Fans: Base tickets are cheap, but the mandatory in-person requirement inflates the real cost into the hundreds (or more) per person. No one is subsidizing your hotel, your gas, or your time off work.
  • Logistical Nightmare: Post-NYCC exhaustion meets Atlantic City's casino-resort vibe (great for gambling, less so for a focused comic event). The "party weekend" framing feels like an afterthought to a cash-strapped indie scene.
  • Low Enthusiasm Signals Failure: Five backers in days. Creators outnumbering fans is the punchline—and the prediction.
  • Exclusivity Over Accessibility: Limited-run swag and a $200 banquet add-on cater to the die-hards while pricing out casual supporters. The "for the fans" slogan rings hollow when the model demands so much from them.
  • Reputation Poison: Tying it to Comicsgate's baggage ensures it stays a niche echo chamber rather than a genuine celebration of indie comics.

For the Fans Fest isn't building community—it's testing loyalty with a credit card and a plane ticket. As the crowdfunding limps along and the memes pile up, it's shaping up to be exactly what critics called it from day one: a complete disaster. Fans deserve better than a convention that demands everything while delivering niche drama in a casino. If the goal was to prove Comicsgate's cultural irrelevance, mission accomplished.

]]> 2025 Harvey Awards Winners https://ishookcomics.net/2025-harvey-awards-winners https://ishookcomics.net/2025-harvey-awards-winners Sun, 19 Oct 2025 22:10:25 -0400 BLBlankenship The Harvey Awards, named after the legendary cartoonist and editor Harvey Kurtzman, continue to shine as one of the most prestigious honors in the comics industry. Held annually at New York Comic Con (NYCC), these awards celebrate outstanding achievements across various categories, recognizing creators who push the boundaries of storytelling, art, and innovation in graphic literature. The 2025 ceremony, which took place on October 10 amid the bustling energy of NYCC, was a vibrant testament to the enduring power of comics to captivate, inspire, and entertain audiences of all ages.

This year's winners represent a diverse array of talents, from indie darlings to blockbuster adaptations, highlighting the global reach and creative depth of the medium. Whether you're a longtime comics enthusiast or a newcomer eager to dive into fresh narratives, the 2025 Harvey Awards offer a perfect roadmap to some of the best works out there. Let's spotlight the winners and why they deserve your attention—grab these titles, support the creators, and immerse yourself in the world of comics!

Hall of Fame Inductees: Honoring Legends

Before diving into the category winners, a special shoutout goes to the 2025 Harvey Awards Hall of Fame inductees. These visionaries have shaped the industry for decades, and their induction serves as a reminder of comics' rich history. The living inductees include:

  • Wendy and Richard Pini, the dynamic duo behind the groundbreaking ElfQuest series, which blended fantasy, adventure, and social commentary in ways that redefined independent publishing.
  • Patrick McDonnell, beloved creator of the heartwarming comic strip Mutts and works like The Super Hero’s Journey, known for his whimsical art and advocacy for animal welfare.
  • John Byrne, a powerhouse artist whose iconic runs on X-Men, Fantastic Four, and Superman have influenced generations of superhero storytelling.

Posthumous honors were bestowed upon:

  • Peter David, celebrated for his masterful writing on The Incredible Hulk, Star Trek, and Fallen Angel, bringing depth and humanity to complex characters.
  • Barbara Shermund, one of the first women cartoonists at The New Yorker, whose sharp wit and pioneering spirit paved the way for female voices in humor and illustration.

These inductees embody the spirit of innovation that the Harvey Awards champion, and their legacies continue to inspire new creators.

The 2025 Category Winners: A Showcase of Brilliance

Voted on by comics professionals, the winners span genres and formats, proving that great stories can come from anywhere—print, digital, or even the big screen. Here's the full rundown:

Category Winner Why It Stands Out
Book of the Year Beneath the Trees Where Nobody Sees by Patrick Horvath (IDW Publishing) This gripping tale blends horror and whimsy in a animal-populated world, delivering twists that keep readers on the edge. Horvath's solo effort as writer and artist showcases raw talent and storytelling prowess—perfect for fans of dark, clever narratives.
Digital Book of the Year Sarah’s Scribbles by Sarah Anderson (GoComics) Anderson's relatable, hilarious webcomics capture the absurdities of everyday life with charm and insight. In a digital age, this win highlights how online platforms are revolutionizing comics accessibility and humor.
Best Children’s Book The Cartoonists Club by Raina Telgemeier & Scott McCloud (Graphix) A meta-adventure about kids forming a comics club, this collaboration from two industry giants teaches creativity while entertaining. It's an ideal gateway for young readers to discover the joy of making their own stories.
Best Young Adult Book Raised by Ghosts by Briana Loewinsohn (Fantagraphics) Exploring themes of loss, identity, and the supernatural, this poignant graphic novel resonates with teens navigating complex emotions. Loewinsohn's evocative art and narrative make it a must-read for YA fans seeking depth.
Best Manga Witch Hat Atelier by Kamome Shirahama; translated by Stephen Kohler (Kodansha Comics) A magical world where spells are drawn like art, this series dazzles with intricate illustrations and a fresh take on fantasy. Shirahama's work bridges cultures, proving manga's universal appeal.
Best International Book Blacksad: They All Fall Down Part 2 by Juan Díaz Canales & Juanjo Guarnido; translated by Diana Schutz & Brandon Kander (Dark Horse Books) This noir detective story featuring anthropomorphic animals tackles social issues with stunning watercolor art. It's a masterclass in international comics, blending European flair with hard-hitting themes.
Best Adaptation from Comic Book/Graphic Novel Superman (DC Studios), directed by James Gunn. Based on Superman (DC Comics), created by Jerry Siegel & Joe Shuster Gunn's fresh take on the Man of Steel brings heart, humor, and spectacle to the screen, honoring the source material while appealing to modern audiences. This win underscores comics' influence on blockbuster entertainment.

These winners aren't just awards—they're invitations to explore new worlds. From the cozy humor of Sarah’s Scribbles to the epic scope of Superman, there's something here for every taste. Comics are more vibrant than ever, and the Harvey Awards remind us why: they foster creativity that connects us all.

NYCC itself was the perfect backdrop, with panels, signings, and fan interactions amplifying the excitement. If you missed it, mark your calendar for next year—these events are where the magic happens!

]]> The 2025 Eisner Awards at San Diego Comic-Con https://ishookcomics.net/the-2025-eisner-awards-at-san-diego-comic-con https://ishookcomics.net/the-2025-eisner-awards-at-san-diego-comic-con Sun, 19 Oct 2025 21:57:47 -0400 BLBlankenship The Will Eisner Comic Industry Awards, widely regarded as the "Oscars" of the comics world, continue to shine a spotlight on the most innovative, creative, and impactful works in the industry. Named after legendary cartoonist Will Eisner, these prestigious awards celebrate everything from groundbreaking storytelling to stunning artistry. In 2025, the ceremony took place on July 25 during the electrifying San Diego Comic-Con International (SDCC), one of the world's largest and most beloved pop culture conventions. Held at the Hilton San Diego Bayfront Hotel, the event drew thousands of fans, creators, and industry professionals to honor the best in comics from the previous year. SDCC itself, running from July 24-27, 2025, featured panels, exhibits, celebrity appearances, and exclusive reveals, making it the perfect backdrop for the Eisners. If you're a comics enthusiast, attending SDCC is a must—it's where the magic of storytelling comes alive!

This year's winners represent a diverse array of talent, with standout publishers like Fantagraphics leading the pack with multiple victories in categories such as Best Short Story, Best Single Issue/One-Shot, and Best Writer/Artist. First Second/Macmillan also dominated, especially in youth-oriented categories, showcasing heartwarming and inclusive stories. Dark Horse, IDW, and others rounded out the list, proving the industry's breadth and vitality. Whether you're into graphic memoirs, superhero epics, or experimental webcomics, the 2025 winners offer something for everyone. Dive into these acclaimed titles from top publishers—many are available now at your local comic shop or online, and they're perfect for expanding your collection or gifting to fellow fans!

Here’s a complete rundown of the 2025 Eisner Award winners, highlighting the creators, works, and publishers:

Story and Series Categories

  • Best Short Story: “Pig” by Stacy Gougoulis, in NOW #13 (Fantagraphics)
  • Best Single Issue/One-Shot: The War on Gaza by Joe Sacco (Fantagraphics)
  • Best Continuing Series: Santos Sisters by Greg & Fake, Graham Smith, Dave Landsberger, and Marc Koprinarov (Floating World)
  • Best Limited Series: Helen of Wyndhorn by Tom King and Bilquis Evely (Dark Horse)
  • Best New Series: Absolute Wonder Woman by Kelly Thompson and Hayden Sherman (DC)
  • Best Anthology: Godzilla’s 70th Anniversary, edited by Jake Williams and others (IDW)
  • Best Humor Publication: Processing: 100 Comics That Got Me Through It by Tara Booth (Drawn & Quarterly)

Youth and Educational Categories

  • Best Publication for Early Readers: Poetry Comics by Grant Snider (Chronicle Books)
  • Best Publication for Kids: Plain Jane and the Mermaid by Vera Brosgol (First Second/Macmillan)
  • Best Publication for Teens: Lunar New Year Love Story by Gene Luen Yang and LeUyen Pham (First Second/Macmillan)
  • Best Graphic Album—New: Lunar New Year Love Story by Gene Luen Yang and LeUyen Pham (First Second/Macmillan)

Memoir and Adaptation Categories

  • Best Reality-Based Work: Suffrage Song: The Haunted History of Gender, Race, and Voting Rights in the U.S. by Caitlin Cass (Fantagraphics)
  • Best Graphic Memoir: Feeding Ghosts: A Graphic Memoir by Tessa Hulls (MCD/Farrar, Straus & Giroux)
  • Best Graphic Album—Reprint: Lackadaisy, vols. 1–2, by Tracy J. Butler (Iron Circus)
  • Best Adaptation from Another Medium: The Worst Journey in the World, Volume 1: Making Our Easting Down by Apsley Cherry-Garrard, adapted by Sarah Airriess (Iron Circus)

International and Archival Categories

  • Best U.S. Edition of International Material: Return to Eden by Paco Roca; translated by Andrea Rosenberg (Fantagraphics)
  • Best U.S. Edition of International Material—Asia: Tokyo These Days, vols. 1–3, by Taiyo Matsumoto, translated by Michael Arias (VIZ Media)
  • Best Archival Collection/Project—Strips: Frank Johnson, Secret Pioneer of American Comics, vol. 1, edited by Chris Byrne and Keith Mayerson (Fantagraphics)
  • Best Archival Collection/Project—Comic Books: David Mazzucchelli’s Batman Year One Artist’s Edition by Frank Miller and David Mazzucchelli, edited by Scott Dunbier (IDW)

Journalism and Scholarship Categories

  • Best Comics-Related Periodical/Journalism: The Beat, edited by Heidi MacDonald and others
  • Best Comics-Related Book: Tell Me a Story Where the Bad Girl Wins: The Life and Art of Barbara Shermund by Caitlin McGurk (Fantagraphics)
  • Best Academic/Scholarly Work: Singular Sensations: A Cultural History of One-Panel Comics in the United States by Michelle Ann Abate (Rutgers University Press)
  • Best Publication Design: David Mazzucchelli’s Batman Year One Artist’s Edition, designed by Chip Kidd (IDW)

Digital Categories

  • Best Digital Comic: My Journey to Her by Yuna Hirasawa (Kodansha)
  • Best Webcomic: Motherlover by Lindsay Ishihiro (Iron Circus)

Individual Achievement Categories

  • Best Writer: Gene Luen Yang, Lunar New Year Love Story (First Second/Macmillan)
  • Best Writer/Artist: Charles Burns, Kommix (Fantagraphics); Final Cut (Pantheon); Unwholesome Love (co-published with Partners & Son)
  • Best Penciller/Inker or Penciller/Inker Team: Bilquis Evely, Helen of Wyndhorn (Dark Horse)
  • Best Painter/Multimedia Artist: Leela Corman, Victory Parade (Pantheon)
  • Best Cover Artist: Tula Lotay, various titles including Helen of Wyndhorn #1 (Dark Horse), Somna (DSTLRY), and others
  • Best Coloring: Jordie Bellaire, various titles including Absolute Wonder Woman (DC), The City Beneath Her Feet (DSTLRY), and others
  • Best Lettering: Clayton Cowles, various titles including Animal Pound (BOOM! Studios), Absolute Batman (DC), and others

Special Awards and Hall of Fame

  • Bill Finger Award for Excellence in Comic Book Writing: Don Glut and Sheldon Mayer
  • Bob Clampett Humanitarian Award: Mad Cave’s L.A. Strong
  • Will Eisner Spirit of Comics Retailer Award: Akira Comics
  • Russ Manning Promising Newcomer Award: Richard Blake

Hall of Fame Inductees: A remarkable group of 28 creators, including deceased pioneers like Jack Kamen and living legends like Joe Sacco, Junji Ito, and Dan Clowes (full list includes Voters’ Choice: Junji Ito, Kyle Baker, Eddie Campbell, Roz Chast, Dan Clowes, Todd Klein, and John Romita, Jr.; Main Inductees: Peter Arno, Gus Arriola, Wilhelm Busch, Richard “Grass” Green, Rea Irvin, Jack Kamen, Joe Maneely, Shigeru Mizuki, Bob Oksner, Bob Powell, Ira Schnapp, Phil Seuling, Steve Bissette, Lucy Shelton Caswell, Philippe Druillet, Phoebe Gloeckner, Joe Sacco, Bill Schanes, Steve Schanes, Frank Stack, and Angelo Torres).

These winners not only push the boundaries of comics but also inspire new generations of creators and readers. Publishers like Fantagraphics (with wins across archival, international, and artistic categories) and First Second/Macmillan (dominating youth publications) demonstrate the strength and variety in today's market. If you haven't already, grab copies of these award-winning works—they're sure to become classics!

]]> The 2025 Ringo Awards at Baltimore Comic-Con Ignite the Future of Comics https://ishookcomics.net/the-2025-ringo-awards-at-baltimore-comic-con-ignite-the-future-of-comics https://ishookcomics.net/the-2025-ringo-awards-at-baltimore-comic-con-ignite-the-future-of-comics Sun, 19 Oct 2025 21:49:49 -0400 BLBlankenship In the heart of Baltimore, where creativity pulses through the air like a superhero's cape in the wind, the 2025 Ringo Awards ceremony unfolded as a beacon of inspiration for comic book enthusiasts worldwide. Named in honor of the legendary artist Mike Wieringo, whose passion for storytelling continues to inspire generations, this year's event at Baltimore Comic-Con was nothing short of triumphant. It celebrated not just the artistry and innovation of comics but the unbreakable spirit of creators who pour their souls into panels that captivate, challenge, and change us. From groundbreaking narratives to stunning visuals, the winners embodied the pinnacle of excellence, reminding us why comics remain a vital force in culture—empowering voices, fostering diversity, and sparking imagination in readers of all ages. What a remarkable testament to the industry's resilience and boundless potential!

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The fan favorites, sponsored by Rocketship Entertainment, showcased the pulse of the community, highlighting villains, heroes, and talents that have captured hearts and ignited discussions. Mr. Barnaby from Warm Fusion (DSTLRY) took home Favorite Villain for his chilling complexity that redefines antagonism with masterful depth. The Pedestrian (Magma Comix) soared as Favorite New Series, a fresh epic that pushes boundaries and invites readers into uncharted worlds of wonder. Annie Wright emerged as Favorite New Talent, her innovative flair promising a bright future filled with trailblazing stories. Mad Cave Studios was crowned Favorite Publisher, praised for their unwavering commitment to diverse, high-quality content that elevates the medium. And Alex from Señorita Cometa (WEBTOON) claimed Favorite Hero, a symbol of courage and relatability that resonates deeply with fans everywhere.

The jury and fan-voted categories honored the technical and artistic brilliance that makes comics an art form like no other. The Pedestrian by Magma Comix dominated as Best Series, a serialized masterpiece that weaves intricate plots with emotional depth, setting a new standard for serialized storytelling. Bilquis Evely dazzled as Best Cover Artist, her evocative designs drawing readers in with sheer visual poetry that captures the essence of every tale. Richard Starkings earned Best Letterer for his impeccable craftsmanship, turning words into seamless symphonies that enhance every panel. Nothing Butt Nightwing from DC Go!/DC Comics won Best Humor Webcomic, delivering laughs that are as clever as they are contagious, proving humor's power to unite. Jane American, self-published, triumphed as Best Original Graphic Novel, a profound exploration of identity that touches the soul with its authenticity and boldness.

Chris Samnee was celebrated as Best Artist or Penciller/Inker Team, his dynamic lines and shading breathing life into characters with unparalleled energy and emotion. Kelly Thompson shone as Best Writer, her narratives blending heart, action, and insight in ways that redefine heroism. David Mazzucchelli's Batman Year One Artist’s Edition from IDW Publishing (designed by Chip Kidd) took Best Presentation in Design, a stunning tribute to comic heritage that exemplifies elegance and innovation in layout. Transphoria by Lifeline Comics was awarded Best Anthology, a collection of voices that amplify underrepresented stories with grace and impact. Hilda and Twig Hide from the Rain from Flying Eye Books captured Best Kids Comic or Graphic Novel, enchanting young minds with whimsy and wisdom that fosters lifelong love for reading.

In the Shadows of Stalin: The Story of Mr. Jones from Oni Press won Best Non-fiction Comic Work, a gripping historical account that educates and inspires through its unflinching truth. Eric Powell was hailed as Best Cartoonist (Writer/Artist), his multifaceted genius blending humor, horror, and humanity into unforgettable works. Renaissance of Raven from DC Go!/DC Comics secured Best Webcomic, revolutionizing digital storytelling with its immersive, interactive brilliance. Jordie Bellaire claimed Best Colorist, her palettes infusing stories with mood and vibrancy that elevate every scene to artistry. Smut #1, self-published, grabbed Best Humor Comic for its bold, hilarious take on the absurdities of life. And Batman and Robin Year One #1 from DC Comics was honored as Best Single Issue or Story, a compact powerhouse of emotion and adventure that leaves an indelible mark.

The evening's special awards paid homage to the pillars of the community. The Mike Wieringo Spirit Award went to Welcome to the Maynard from Dark Horse Comics, embodying the joy and creativity that defined Wieringo's legacy. The Hero Initiative Awards recognized Stan Sakai with the Dick Giordano Humanitarian of the Year Award for his tireless advocacy and kindness that uplift the industry. Kevin Nowlan received the Hero Initiative Lifetime Achievement Award, a fitting tribute to his decades of influential artistry that has shaped comics forever. Finally, Mike McKone was bestowed the Brogan Fidelity Award for his steadfast dedication and contributions that ensure the fidelity of comic traditions.

As the curtains closed on this unforgettable night, the 2025 Ringo Awards reminded us that comics are more than entertainment—they're a movement. These winners, with their extraordinary talents and unwavering passion, are the torchbearers lighting the way forward. To all the creators, nominees, and fans: your work inspires us to dream bigger, create bolder, and connect deeper. Here's to the endless possibilities of panels yet to be drawn!

]]> New York Comic Con 2025: A Stellar Lineup of Comic Book Titans and Trailblazers Set to Electrify the Javits Center https://ishookcomics.net/new-york-comic-con-2025-a-stellar-lineup-of-comic-book-titans-and-trailblazers-set-to-electrify-the-javits-center https://ishookcomics.net/new-york-comic-con-2025-a-stellar-lineup-of-comic-book-titans-and-trailblazers-set-to-electrify-the-javits-center Wed, 08 Oct 2025 12:50:38 -0400 BLBlankenship

As the crisp autumn air sweeps through Manhattan, the Javits Center transforms into the epicenter of pop culture from October 9 to 12, 2025, for New York Comic Con (NYCC). This year's event promises an unparalleled celebration of the comic book universe, drawing in legions of fans eager for exclusive reveals, star-studded panels, and immersive experiences. Major publishers like Marvel, DC, Image Comics, BOOM! Studios, Dark Horse, and IDW are bringing their A-game with booths, signings, and announcements that will redefine the medium. Iconic creators such as Jim Lee and Todd McFarlane will rub shoulders with rising stars, fostering a vibrant ecosystem where innovation meets legacy. Amid this powerhouse gathering, indie innovator iShook Comics stands out as a multifaceted force, with CEO Beni Rachmanov set to make waves on opening day Thursday, infusing the con with fresh energy from a company that's bridging social media, digital reading, and bold storytelling.

Marvel, the undisputed juggernaut of superhero epics, is poised to dominate the floor with dual booths at #2153 and #2453, offering fans a deep dive into comics, games, and shows that capture the essence of the Marvel Universe. Kicking off strong on Thursday, October 9, Marvel's "Spider-Man and his Venomous Friends" panel in Room 405 from 3:30-4:30 PM ET will unpack symbiote lore and upcoming arcs, drawing crowds hungry for web-slinging action and villainous twists. Expect cosplay meetups, giveaways, and interactive zones that immerse attendees in New York's own Marvel mythos, from Stark Tower vibes to street-level heroics. Marvel's presence underscores its role as a cultural behemoth, continually evolving the genre with cinematic tie-ins and boundary-pushing narratives that keep millions hooked.

Not to be outshone, DC Comics makes a triumphant return to the NYCC show floor after a hiatus, commandeering booth #4365 for a multi-level extravaganza celebrating their 100th anniversary. This milestone event features surprise signings, free comics, exclusive variants, and interactive experiences like a LEGO Batman showdown, blending nostalgia with forward-thinking storytelling. The Gotham City panel, spotlighting Batman, Absolute Batman, and more, will feature top creators dissecting the Dark Knight's enduring legacy and future directions. DC's lineup honors its pantheon of heroes—from Superman's hope to Wonder Woman's empowerment—while teasing fresh takes that honor the publisher's storied history of groundbreaking titles. Fans can anticipate a booth buzzing with anniversary merch and panels that reaffirm DC's status as the architect of iconic universes.

Image Comics, the creator-owned powerhouse founded on artistic freedom, arrives with a robust slate of 10 panels that highlight its diverse roster of indie-spirited blockbusters. Co-founder Todd McFarlane, the visionary behind Spawn and a comic industry legend, will engage in signings and discussions, sharing insights on horror-infused epics and entrepreneurial grit. Image's emphasis on unfiltered creativity—from gritty sci-fi to supernatural thrillers—positions it as a haven for bold voices, delivering stories that challenge conventions and captivate with raw intensity.

BOOM! Studios marks its 20th anniversary with a bang, leading exclusives featuring heavy-hitters like Something is Killing the Children, BRZRKR, and R.L. Stine's chilling tales, alongside fresh acquisitions such as the comic rights to Jem and the Holograms. Their booth will host creator signings and variant covers, including a standout Monster Hunter Walks Into a Bar #1, blending horror, action, and pop nostalgia. BOOM!'s trajectory from indie darling to mainstream disruptor exemplifies how targeted storytelling can spawn franchises that resonate across generations, with panels promising deeper dives into their expansive, genre-bending catalog.

Dark Horse Comics, synonymous with mature narratives and licensed juggernauts like Hellboy and The Umbrella Academy, joins the fray with panels alongside peers and exclusive drops such as Kill All Immortals. Their presence on Retailer Day signings and throughout the con underscores a commitment to creator-driven tales that explore the shadows of heroism, from cosmic horrors to gritty fantasies. Dark Horse's booth will be a must-visit for aficionados seeking variants and previews that push the envelope on visual storytelling.

IDW Publishing rounds out the major players with an ambitious lineup of 25 signings and exclusives, transforming their space into a hub for fan interactions and rare finds. Known for transformative adaptations like Teenage Mutant Ninja Turtles and Star Trek, IDW's NYCC activation celebrates licensed worlds reimagined through comic lenses, offering panels and merch that bridge classic IPs with contemporary flair.

Complementing these giants are legendary individuals whose fingerprints have shaped the industry. DC's Jim Lee, the artist extraordinaire behind Batman, Justice League, and Suicide Squad, will headline signings and chats with retailers, his dynamic style a beacon for aspiring creators. J. Scott Campbell, a Marvel veteran with a flair for pin-up artistry and character depth, adds star power with meet-and-greets that honor his decades-long influence. From Arthur Adams' intricate designs to Natasha Allegri's whimsical character work, the con's Artist Alley and panels will buzz with talents who infuse comics with heart, innovation, and visual spectacle.

In this constellation of comic royalty, iShook Comics emerges as a dynamic indie contender, poised to captivate with its multifaceted approach to the medium. Founded in 2013 by visionary entrepreneur and scholar Rabbi Beni Rachmanov, iShook isn't just a publisher—it's a revolutionary platform integrating social media with e-book reading and sharing, creating an ecosystem where writers, readers, and publishers connect in real-time. This social e-book innovation fosters community-driven storytelling, allowing fans to discuss, share, and co-create narratives seamlessly across digital channels. Under Rachmanov's leadership, alongside co-founders like Michael Yusupov and production heads like Daniel Baldwin, iShook has expanded into graphic novels, debuting titles like Super Blaq: Discovery—a gripping tale of heroism amid chaos that showcases the company's knack for blending high-stakes action with profound themes. As CEO, Rachmanov, with his background in bridging content and connectivity, has steered iShook toward multifaceted growth: from original comic productions led with talents like Rael Mochizuki to a broader mission of democratizing access to stories. His excitement for NYCC Thursday is palpable—he'll be in attendance, rubbing elbows with industry leaders, networking at booths, and representing iShook's forward-thinking ethos. For con-goers, spotting Rachmanov could mean discovering how iShook is redefining engagement, turning passive reading into interactive adventures that echo the communal spirit of events like NYCC. In a sea of established names, iShook's blend of tech-savvy innovation and compelling originals positions it as the fresh face attendees should watch, potentially sparking collaborations that elevate the indie scene.

NYCC 2025 isn't just a con—it's a convergence where legacies are honored, futures forged, and passions ignited. Whether you're queuing for Marvel's symbiote secrets, DC's anniversary festivities, or iShook's social storytelling revolution, the comic book world awaits in all its glory. Grab your tickets and dive in.

]]> Anti-Government Protestors Popular use of "ONE PIECE" flag causing bans on flag, manga, anime, series. https://ishookcomics.net/anti-government-protestors-popular-use-of-one-piece-flag-causing-bans-on-flag-manga-anime-series https://ishookcomics.net/anti-government-protestors-popular-use-of-one-piece-flag-causing-bans-on-flag-manga-anime-series Wed, 08 Oct 2025 09:36:29 -0400 BLBlankenship The Straw Hat Flag: From Fictional Pirate Banner to Global Protest Symbol – and the Backlash It’s Igniting

In the sweltering streets of Jakarta, amid the chants of disillusioned youth, a peculiar sight has emerged: black flags emblazoned with a grinning skull topped by a weathered straw hat. This isn't the Jolly Roger of historical buccaneers, but the iconic emblem of the Straw Hat Pirates from Eiichiro Oda's One Piece, the world's best-selling manga series. What began as a quirky nod to pop culture has snowballed into a transnational symbol of defiance, waved by Generation Z protesters from Indonesia to Nepal, the Philippines to Peru. Yet, as its visibility surges, so does the violence surrounding these demonstrations—and the governmental crackdowns threatening to ban the flag outright. This unlikely fusion of anime fandom and real-world rebellion raises profound questions about cultural symbols, free speech, and the unintended consequences for One Piece's sprawling empire.

A Pirate Flag Takes to the Streets

The Straw Hat flag's journey from manga pages to protest lines traces back to August 2025 in Indonesia. As the country geared up for its 80th Independence Day on August 17, widespread frustration boiled over against President Prabowo Subianto's administration. Truck drivers, hit hard by transportation reforms favoring elite interests, hoisted the Straw Hat Jolly Roger on their vehicles instead of the national red-and-white banner. "The national flag is too sacred for a corrupt system," one protester told Reuters, echoing a sentiment rippling through social media.

Inspired by Indonesia's example, the flag proliferated across Asia and beyond. In Nepal, Gen Z demonstrators—furious over a government-imposed social media blackout, rampant corruption, and youth unemployment exceeding 20%—stormed the Singha Durbar palace complex in early September. They set parts of the historic government seat ablaze, draping the Straw Hat flag over its golden gates as flames licked the night sky. The protests turned deadly, claiming 19 lives and injuring over 250 in clashes with police, before the ban was lifted amid the chaos. Similar scenes unfolded in the Philippines, where hundreds of thousands rallied in Manila's Rizal Park against officials embezzling flood relief funds. Protesters there waved the flag alongside slogans like "Gen Z won't be silent."

The symbol's reach extended globally: Madagascar's water and power crisis protests featured a localized variant with a traditional Malagasy hat; French youth decried budget cuts under the pirate banner; and it even appeared at pro-Palestinian rallies in London and New York, as well as anti-ICE demonstrations in Portland. In Peru, clashes over pension reforms saw the flag hoisted amid tear gas and rubber bullets. Social media amplified the trend—TikTok videos of flag-waving crowds racked up millions of views, turning it into a viral meme of resistance.

Violence and the Push for Bans

While the flag embodies youthful ingenuity—blending anime aesthetics with calls for justice—its adoption has coincided with escalating violence, fueling calls for prohibition. In Nepal, what started as peaceful demands for accountability devolved into riots, with protesters hurling stones at riot-geared police who responded with batons and live rounds. The government decried the flag as "propaganda to disunite the country," though no formal ban materialized beyond the lifted social media clampdown.

Indonesia, however, has taken a harder line. The People's Consultative Assembly labeled the flag a "threat to national unity," with lawmakers invoking treason charges and sedition. Regional police in Banten seized banners, and warnings proliferated: flying it could land you in jail. Enforcement has been spotty—some markets displayed anti-flag placards, while others ignored the edict—but the rhetoric has chilled dissent. "By treating a cartoon flag as a threat to national security, they have inadvertently validated the entire premise of the protest," noted former policy analyst Farhan Rizqullah in a widely shared Medium post.

Other nations have flirted with restrictions. In the Philippines and Madagascar, authorities monitored its use without outright bans, but heavy-handed responses to protests— including arrests and water cannons—have only boosted its allure. Globally, the flag's neutrality as a pop culture import makes it slippery for suppression: banning it risks amplifying cries of authoritarianism. As one Nepalese protester told The Kathmandu Post, "It popularised our fight because it's fun, but it's also fierce."

Why the Straw Hat? A Fictional Symbol with Real Resonance

At first glance, co-opting a pirate skull from a shonen adventure series seems whimsical. But within One Piece's lore, the flag carries deep anti-authoritarian weight that protesters have astutely repurposed. Created by the series' protagonist, Monkey D. Luffy—a rubbery, eternally grinning teen who devours meat and dreams of becoming Pirate King—the emblem adorns the sails of his ragtag crew as they navigate the Grand Line. Luffy's "poor sketch" was refined by crewmate Usopp into a beaming skull with crossbones, symbolizing unyielding optimism amid peril.

The Straw Hats aren't your stereotypical plunderers; they're accidental revolutionaries. Across over 1,000 anime episodes and 500 million manga copies sold, they liberate islands from tyrannical rulers, dismantle slave trades, and torch the flag of the corrupt World Government—a shadowy cabal enforcing "justice" through genocide, censorship, and Buster Calls (island-level exterminations). Arcs like Wano depict samurai uprisings against isolationist dictators, while Fish-Man Island exposes systemic racism. Luffy's mantra? "I wanna be free!" Protesters see parallels: just as the crew sparks rebellions without preaching, the flag unites diverse crowds under a banner of resilience and dream-chasing against oppression.

Its appeal to Gen Z lies in accessibility: One Piece's global fandom (fueled by Netflix's hit live-action adaptation) provides a shared language transcending borders. "Even though we have different languages and cultures, we speak the same language of oppression," said Filipino organizer Eugero Vincent Liberato. The flag's cartoonish grin injects humor into grim fights, evading the stigma of partisan logos while going viral online.

One Piece and Netflix's Uneasy Horizon

Eiichiro Oda and Shueisha, stewards of One Piece, have remained conspicuously silent on the flag's politicization—a pragmatic choice for a creator whose work spans apolitical adventure and subtle critiques. Oda, known for his reclusive nature, might view it as an organic evolution: in interviews, he's cited inspirations from real-world history and folklore, but emphasized themes of friendship and freedom over ideology. Fan speculation on X (formerly Twitter) ranges from quiet pride—"Oda's world government is too real"—to concern that association with "treason" could invite scrutiny in Japan, where manga is state-protected but politically sensitive.

A muted response risks alienating fans who see the series as a beacon, but speaking out could escalate bans. In Indonesia, where One Piece boasts massive viewership, equating the flag to sedition might lead to content blackouts. Shueisha could issue a neutral statement celebrating fan creativity, as they did during past controversies, to thread the needle.

For Netflix's One Piece live-action series—Season 1 a smash hit with 40 million views in two weeks—the complications loom larger. Filming for Season 2 wrapped principal photography in June 2025, but post-production and marketing now face headwinds. Indonesia and Nepal, key markets in Asia, could impose streaming restrictions if the flag's notoriety taints the IP. Protests have already disrupted locations: South Africa's Cape Town sets (standing in for future arcs) saw minor delays from global supply chain ripples tied to unrest.

Worse, violence-torn optics might deter sponsors or talent. Iñaki Godoy's Luffy embodies the flag's spirit, but associating the show with real bloodshed could spark boycotts from conservative viewers or governments wary of "pirate propaganda." Netflix might pivot to emphasizing the series' whimsical side in promos, but viral clips of flag-waving clashes could overshadow trailers. If bans spread—say, to the Philippines, where piracy (ironically) thrives—Season 2's December 2026 premiere could lose millions in viewership. As one analyst quipped, "Luffy's rubber powers won't stretch Netflix's bottom line forever."

Life Imitates Art – Or Warns Against It?

The Straw Hat flag's rise underscores Gen Z's mastery of "memetic activism": deploying pop culture to subvert power without the baggage of traditional symbols. In One Piece, pirates aren't villains—they're the underdogs flipping the script on empires. Protesters aren't Luffys storming Enies Lobby; they're everyday dreamers demanding their "One Piece" of equity. Yet, as bans loom and blood spills, the flag's grin feels more defiant than ever.

Oda's saga, once dismissed as kids' fare, now mirrors our fractured world: a reminder that even fictional rebellions can ignite real ones. Whether this boosts One Piece's cultural cachet or burdens its adaptations, one thing's clear—the Straw Hats are sailing into uncharted, stormy seas. And like Luffy, they're smiling through it.

]]> BASED CON bans toxic creator Jon Del Arroz https://ishookcomics.net/based-con-bans-toxic-creator-jon-del-arroz https://ishookcomics.net/based-con-bans-toxic-creator-jon-del-arroz Fri, 05 Sep 2025 07:17:45 -0400 BLBlankenship The Most Based Decision: Why Banning Jon Del Arroz from Based Con 2025 Upholds True Integrity

In the world of science fiction and fantasy conventions, where fans and creators gather to celebrate imaginative storytelling free from mainstream ideological pressures, Based Con has carved out a niche as a haven for unapologetic, freedom-loving enthusiasts. Founded on principles of open dialogue and resistance to cancel culture, the event—organized by author Robert Kroese—has become a beacon for those tired of the politicized gatekeeping that plagues larger conventions. So, when Kroese made the call to ban controversial author Jon Del Arroz from the 2025 iteration, it wasn't a contradiction of the con's ethos; it was the embodiment of it. This move, far from being an act of exclusion, stands as one of the most "based" decisions in recent genre history, prioritizing community health over endless drama.

Kroese's reasoning, as reflected in public exchanges, boils down to a straightforward assessment of Del Arroz's behavior. In response to Del Arroz's accusations and complaints, Kroese effectively characterized him as someone who thrives on manufactured victimhood, noting that such "drama queens aren't scary." This echoes the sentiment that all Del Arroz knows how to do is "jump in front of trains and play the victim"—a pattern where he inserts himself into controversies, only to cry foul when pushback occurs. Del Arroz's recent attacks on Based Con appear to follow this script precisely, using the ban as fodder to promote his own work. Just days before the event, he took to social media to decry the decision, framing it as "cancel culture" while conveniently plugging his latest book as the "#1 religious philosophy book that's so based it's BANNED from Robert Kroese's 'BasedCon'." This self-promotional pivot isn't subtle; it's a calculated move to rally his audience, boost sales, and paint himself as a martyr in the culture wars.

But why was the ban the right move? Evidence from Del Arroz's public history suggests a track record of behavior that could disrupt the sincere, integrity-driven atmosphere Based Con strives to maintain. Reports and accounts from within the sci-fi community detail alleged instances of stalking and harassment. For example, fellow author Jim C. Hines compiled a documented history of Del Arroz's interactions, including repeated ignoring of boundaries, such as continuing to contact individuals after being asked to stop, and escalating online feuds. In one notable case, author Rachael Acks reported Del Arroz's persistent messaging despite clear requests to cease, leading to broader community concerns about his conduct. Additionally, public court records have surfaced allegations of domestic violence in a case involving Del Arroz, though details remain subject to interpretation and he has not been convicted of related charges. These alleged patterns extend to professional repercussions, such as Patreon banning him for violations of their hate speech policies and a dismissed lawsuit against Worldcon 76 where courts ruled against him on multiple claims of discrimination. While Del Arroz disputes these narratives, portraying them as smears from ideological opponents, the cumulative reports paint a picture of someone whose presence could invite unnecessary conflict into an event meant for positive engagement.

Further scrutiny falls on Del Arroz's recent non-fiction work, which he has admitted falls outside his usual expertise in fiction and comics. Titled something along the lines of a religious philosophy exploration—drawing from his Christian-themed sci-fi like Glorified, an allegory for biblical revelation—the book has drawn criticism from readers and observers who view it as less a scholarly contribution and more a rant aimed at tearing down fellow creators while elevating his own fictional output. Community discussions, including on platforms like Facebook, warn of Del Arroz as a "liar and grifter," with some accusing him of misrepresenting Christian values for personal gain. When faced with critiques from those with theological backgrounds or expertise, Del Arroz has reportedly dismissed them, doubling down on his narrative rather than engaging substantively. This approach, critics argue, demonizes broad swaths of the creative community under the guise of cultural critique, all while steering attention back to his books and comics. It's a tactic that aligns with his broader public persona, where controversy seems to serve as a marketing tool.

Del Arroz's rhetoric extends to the comic industry, where he positions himself as a crusader against what he calls "woke" influences. He has publicly stated intentions to combat the "destruction of culture in comics and book publishing," vowing to use every resource at his disposal to challenge mainstream companies. In various videos and posts, he discusses industry collapses, such as those involving publishers like IDW and Boom! Studios, framing them as opportunities to dismantle established players. While he hasn't explicitly detailed "moles" within these companies in every instance, his commentary implies insider knowledge or networks aimed at exposing and undermining them from within. This aggressive stance, while appealing to some, risks turning collaborative spaces like conventions into battlegrounds, which is precisely what Based Con seeks to avoid.

In contrast, Based Con under Kroese's leadership exemplifies sincerity and integrity. By addressing potential disruptions head-on, Kroese protects the event's core mission: fostering a space where creators and fans can connect without the shadow of personal vendettas. Past iterations have featured diverse authors and sales events that highlight emerging talent, all while steering clear of the performative outrage that plagues other gatherings. This ban isn't about politics; it's about preserving a positive environment. Del Arroz's ongoing attacks only underscore the wisdom of the decision, as they devolve into self-righteous promotion rather than constructive dialogue.

Ultimately, Kroese's choice to exclude Del Arroz reinforces what makes Based Con truly "based": a commitment to real community over endless grievance-mongering. In a genre often divided by egos and ideologies, this stands as a model of principled leadership—one that fans can support without reservation.

]]> Comic Scene 2026 Nominees Announced https://ishookcomics.net/comic-scene-2026-nominees-announced https://ishookcomics.net/comic-scene-2026-nominees-announced Mon, 25 Aug 2025 09:04:31 -0400 BLBlankenship Comic Scene 2026 Awards: Nominees Announced, Voting Now Open!

The Comic Scene 2026 Awards are here, celebrating the vibrant and diverse world of comics! With nominations selected by passionate comic fans, the voting period is now officially open, giving readers and creators alike the chance to honor the best in comics for 2026. This year’s awards span a wide range of categories, from UK and US comics to crowdfunding projects, graphic novels, and more. Voting is open until the end of January 2026, with winners to be announced on February 14, 2026, during Comic Scene’s annual “I Love Comics” Day. Below is a comprehensive look at the categories, nominees, and how you can get involved.

Voting Information

Voting for the Comic Scene 2026 Awards is open to all comic fans and can be accessed through the official Comic Scene Awards voting form, available on the Comic Scene website. Fans are encouraged to vote for their favorites across all categories, with the deadline set for January 31, 2026. The winners will be revealed on February 14, 2026, in a celebration of the best in comics. Additionally, Comic Scene invites publishers to voluntarily submit their 2025 print and digital sales data to compile a comprehensive sales chart, offering insights into the industry’s performance.

As Comic Scene marks 200 years of comic book history in 2026, this year’s awards promise to be a significant milestone. Fans are encouraged to share their favorite nominees and rally support via social media and the Comic Scene community.

Categories and Nominees

Best UK Comic

This category celebrates the finest comics produced in the United Kingdom, showcasing a mix of iconic titles and innovative new entries.

  • Battle / Action (Rebellion Publishing)

  • Judge Dredd Megazine (Rebellion Publishing)

  • The Phoenix (David Fickling Comics Ltd)

  • Quantum

  • Scream (Rebellion Publishing)

  • 2000AD (Rebellion Publishing)

Best Humour Comic

Laughter is at the heart of these nominees, bringing joy to readers of all ages.

  • Beano (Beano Studios/DC Thomson Media)

  • Goof

  • Lolz

  • Monster Fun

  • Viz (Dennis Publishing)

Best US Comic

This category highlights standout comics from the United States, featuring both mainstream and indie gems.

  • Absolute Batman (DC)

  • Conan

  • Department of Truth (Image Comics)

  • Nice House By The Sea (DC)

  • Helen of Wyndhorn (Dark Horse)

Best Comic TV / Film

Celebrating comic-inspired adaptations, this category recognizes the best in comic-based TV and film for 2026.

  • Daredevil Born Again (Disney+)

  • Deadpool and Wolverine (Marvel Studios)

  • The Penguin (HBO)

  • Superman

  • Thunderbolts (Marvel Studios)

Best Crowdfunder / Indie Comic

This category shines a spotlight on independent and crowdfunded projects, showcasing the creativity of small press and self-published creators.

  • Aces Weekly

  • Battle Action Force

  • Boxes

  • Britformers

  • Dark Legacies

  • Death Sentence

  • Dirty Basement

  • Falcon

  • Fully Loaded

  • Geezer

  • Heavy Metal

  • Hello Robert Latham

  • Killtopia Nano James

  • Nap Comix

  • Odysseus

  • One More Year

  • Roxy

  • Sentinel

  • Serial Hunter

  • Sha

  • Shadow Over Innsmouth

  • Shokwave

  • Shrieeek!

  • System Error

  • Tall Tales and Short Stories

  • Tara Togs

  • The Ape That Ate The World

  • The 77

  • The Whitechapel Cordon

  • Thunderchild

  • Zarjaz

Best Original Graphic Novel

Recognizing outstanding standalone graphic novels that have captivated readers with their storytelling and art.

  • Boss of the Overload

  • Final Cut (Fantagraphics)

  • Hirayasumi Volume 1

  • Lavender Clouds

  • Lunar New Year Love Story (First Second/Macmillan)

  • My Favourite Things Is Monsters 2 (Fantagraphics)

  • Where The Body Was

Best Comic Collection

This category honors collected editions that bring together memorable stories and iconic characters.

  • Battle Action Force

  • Bogie Man

  • Judge Dredd A Better World (Rebellion Publishing)

  • Killtopia

  • Nemesis The Warlock

  • Rogue Trooper Blighty Valley

  • Running Man

  • Scream 40th (Rebellion Publishing)

  • Slaine Deluxe Edition

  • Somna

  • Spector

  • Treasury of British Comics Annual (Rebellion Publishing)

  • Trigan Empire

  • 2000AD Annual (Rebellion Publishing)

Best Anthology Comic

Anthologies bring together diverse stories and creators, and this category celebrates the best of them.

  • Creepshow

  • Great Comic Tree

  • Metal Hurlant

  • Quantum

  • Shift

Comic Creator of 2025 (Script, Art, Lettering, or Colouring)

This category recognizes individual creators who have made significant contributions to comics in 2025 across various roles.

  • Annie Parkhouse

  • Dylan Teague

  • Garth Ennis

  • James Tynion IV

  • Jim Campbell

  • Jim Zubb

  • John Wagner

  • Rob Jones

  • Rob Williams

  • Tom King

Best Publisher

Honoring publishers who have delivered exceptional comics and graphic novels in 2025.

  • DC

  • Image

  • Mad Cave

  • Marvel

  • PSY Comics

  • Titan

Best Comic Event

This category celebrates the top comic conventions and events that bring fans and creators together.

  • Enniskillen

  • Lakes Comic Art Festival

  • Lawless

  • Macc Pow

  • MCM London

  • San Diego Comic Con

  • Thought Bubble

Best Comic Media

Recognizing platforms that provide outstanding coverage and discussion of the comic industry.

  • Awesome Comics Podcast

  • Comics Journal

  • DownTheTubes

  • Mega City Book Club

  • Pat Mills Iconblast

Best Comic Magazine

This category highlights magazines that offer in-depth insights into the world of comics.

  • Battling Britains

  • Between The Lines

  • ComicScene Yearbook

  • Fantasy Unlimited

  • Hibernia Editors Cut

  • Silver Age of Comic Papers 1950 to 1969

  • Tripwire

Best Retail Outlet

Celebrating comic shops that provide exceptional service and foster vibrant comic communities.

  • Close Encounters

  • Dave Comics

  • Gosh Comics

  • OK Comics

  • Travelling Man

Get Involved

Comic Scene encourages fans to vote for their favorites and share their picks with the community. With over 3000 fans participating in last year’s awards, the 2026 edition is set to be even bigger. Support Comic Scene by visiting their website, subscribing to their newsletter, or contributing to their crowdfunding campaigns for projects like Ragtime Soldier and Peter Pan. You can also explore their Comic Creator Directory and listen to their podcast for the latest in comic news.

Join the celebration of 200 years of comics and make your voice heard by voting in the Comic Scene 2026 Awards. Don’t miss out on this chance to honor the creators, publishers, and stories that make comics so special!

VOTING LINK: "https://us4.list-manage.com/survey?u=1122b6df091c2000075ebfb21&id=b7655d2d17&attribution=false&utm_source=substack&utm_medium=email"

]]> 2025 Ringo Awards Nominees Announced https://ishookcomics.net/2025-ringo-awards-nominees-announced https://ishookcomics.net/2025-ringo-awards-nominees-announced Wed, 20 Aug 2025 09:30:56 -0400 BLBlankenship The 2025 Ringo Awards: A Celebration of Excellence Begins!

The Mike Wieringo Comic Book Industry Awards, affectionately known as the Ringo Awards, are back in full swing—now in their ninth year—and the nominations are here! Presented during the beloved Baltimore Comic‑Con on October 18, 2025, these awards celebrate outstanding creative achievements across the comics industry, blending fan energy with peer recognition.Graphic PolicyThe Beat

What Makes the Ringos Special?

  • Inclusive Voting: Fan votes select the top two nominees in each category, followed by three from a respected jury of industry pros—ensuring both popularity and credibility shape the results.Graphic PolicyThe Beat

  • Wide Category Range: Spanning creators (cartoonists, writers, artists) to design, web, humor, kids, and nonfiction work.Graphic PolicyThe Beat

  • Pro Voting: Finalists will be selected exclusively by comic-book professionals, with ballots released on August 20, 2025 and due by September 17, 2025.Graphic Policy

Announced Nominees – A Shout-Out to the Best of the Year

The Ringo Awards Committee has unveiled the full roster of nominees across all categories, honoring creators and works that captured imaginations in 2024:

Best Cartoonist (Writer & Artist)

  • Arechan

  • Megan Grey

  • Patrick Horvath

  • Mikaël

  • Eric Powell

Best Writer

  • Jason Douglas

  • Tom King

  • Oscar Osorio

  • Scott Snyder

  • Kelly Thompson

  • James Tynion IV

  • David F. Walker

Best Artist or Penciller/Inker Team

  • Bilquis Evely

  • Kate Flynn

  • Daniel HDR

  • Eduardo Risso

  • Chris Samnee

Best Letterer

  • Aditya Bidikar

  • Clayton Cowles

  • Amal Desai

  • DC Hopkins

  • Hassan Otsmane‑Elhaou

  • Richard Starkings

Best Colorist

  • Michael Adams

  • Jordie Bellaire

  • Lee Loughridge

  • Sabine Rich

  • Dave Stewart

Best Cover Artist

  • Oliver Barrett

  • Evan Cagle

  • Francine Delgado

  • Bilquis Evely

  • Francesca Fantini

  • Greg Smallwood

Best Series

  • Beneath the Trees Where Nobody Sees (IDW Publishing)

  • The Blood Brothers Mother (DSTLRY)

  • Helen of Wyndhorn (Dark Horse Comics)

  • Masters of the Universe: Revolution (Dark Horse Comics)

  • The Pedestrian (Magma Comix)

Best Single Issue or Story

  • Batman and Robin Year One #1 (DC Comics)

  • “A Blue Flame” in Second Hand Love (Drawn & Quarterly)

  • The Crying Boy (Keenspot Entertainment)

  • Death Ratio’d (AWA Studios)

  • FML #1 (Dark Horse Comics)

  • Helen of Wyndhorn (Dark Horse Comics)

  • Navigating with You (Maverick)

  • A Never‑Ending Adventure (Oscar Osorio)

  • Trinity Special: World's Finest #1 (DC Comics)

Best Original Graphic Novel

  • Big Jim and the White Boy (Ten Speed Graphic)

  • The Deep Dark (Scholastic/Graphix)

  • ERASED: An Actor of Color's Journey Through the Heyday of Hollywood (NBM Graphic Novels)

  • Homestead (Source Point Press)

  • Jane American (self-published)

Best Anthology

  • DC Power 2024 (DC Comics)

  • EC Cruel Universe (Oni Press)

  • Hello Darkness (BOOM! Studios)

  • The Savage Sword of Conan (Titan Comics)

  • Tales from the New World (Oscar Osorio)

  • Transphoria (Lifeline Comics)

Best Humor Comic

  • Action Philosophers: Omnipotence for Dummies (Rocketship Entertainment)

  • Archie: The Decision (Archie Comics)

  • Forces of Nature (Drawn & Quarterly)

  • Kids Are Still Weird: And More Observations from Parenthood (NBM Graphic Novels)

  • Smut #1 (self-published)

  • Space Circus (Dark Horse Comics)

Best Webcomic

  • The Croaking (WEBTOON Entertainment)

  • Daughter of a Thousand Faces (Tapas Entertainment)

  • The Mafia Nanny (WEBTOON Entertainment)

  • Novae (WEBTOON Entertainment)

  • Renaissance of Raven (DC Go!/DC Comics)

  • Under the Oak Tree (Manta)

  • Vampire Family (WEBTOON Entertainment)

Best Humor Webcomic

  • Dealing with Demons (Manta)

  • Harley Quinn in Paradise (DC Go!/DC Comics)

  • High Class Homos (WEBTOON Entertainment)

  • Nothing Butt Nightwing (DC Go!/DC Comics)

  • Rosebuds (Comics Kingdom)

  • Wanna Be Friends? (WEBTOON Entertainment)

Best Non‑fiction Comic Work

  • Adrift on a Painted Sea (Avery Hill)

  • Brittle Joints (Street Noise Books)

  • Djuna (Street Noise Books)

  • Feeding Ghosts (MCD)

  • In the Shadows of Stalin: The Story of Mr. Jones (Oni Press)

Best Kids Comic or Graphic Novel

  • Double Booking (Papercutz/Mad Cave Studios)

  • Dudley Datson and the Forever Machine (Dark Horse Comics)

  • Hilda and Twig Hide from the Rain (Flying Eye Books)

  • The Legend of Tiger and Tail‑Flower (Levine Querido)

  • The New Girl (Scholastic/Graphix)

  • Night Stories (Astra Books for Young Readers)

  • ZOR (Keenspot Entertainment)

Best Presentation in Design

  • Coins of Judas (Orange Cone Productions/Band of Bards)

  • David Mazzucchelli's Batman Year One Artist's Edition (IDW Publishing)

  • Mary Shelley's Frankenstein starring Boris Karloff and Bram Stoker's Dracula starring Bela Lugosi Casket Edition (Rocketship Entertainment)

  • One Bite at a Time: The First 20 Years of Elephant Eater Comics (Elephant Eater Comics)

  • Scott Pilgrim 20th Anniversary Hardcover Box Set (Oni Press)

  • Warm Fusion (DSTLRY)

Why This Year’s Nominees Shine

These selections reflect the incredible richness of comics storytelling in 2024—from gritty noir and digital epics to heartfelt humor, innovative design, and inclusive narratives for all ages. The mix of established creators (like Tom King, Eduardo Risso, Jordie Bellaire, Kelly Thompson) and rising talents (such as The Croaking, Action Philosophers, Jane American) speaks to the evolving energy of the medium.

What Comes Next

  • Fan & Pro Voting Closes: June 19, 2025

  • Final Ballots Released to Pros: August 20, 2025

  • Final Voting Ends: September 17, 2025

  • Awards Night: October 18, 2025 at Baltimore Comic‑ConGraphic PolicyOverstreet Access

If you're a comic pro, your vote will determine the winners. If you're a fan, your earlier nominations helped power this rich slate—and your excitement is the heartbeat of the Ringos.

Final Note: Be There—In Person or in Spirit

Baltimore Comic‑Con is the perfect stage for these awards—full of panels, creators, signings, and that contagious buzz. Whether you're attending or cheering from home, this year’s Ringos are a celebration of creativity, community, and the infinite possibilities of comics.

Let’s cheer on the creators, celebrate the art, and marvel at the stories that moved us. These nominees have already achieved greatness—now we watch them shine even brighter.

]]> 2025 Ignatz Awards Nominees: Celebrating Indie and Alternative Comics https://ishookcomics.net/2025-ignatz-awards-nominees-celebrating-indie-and-alternative-comics https://ishookcomics.net/2025-ignatz-awards-nominees-celebrating-indie-and-alternative-comics Fri, 15 Aug 2025 12:06:17 -0400 BLBlankenship The 2025 Ignatz Awards nominees have been announced, showcasing a vibrant array of indie and alternative comics published between June 1, 2024, and May 31, 2025. Presented during the Small Press Expo (SPX) weekend, the Ignatz Awards honor outstanding achievements in comics across ten categories. Online voting is now open and will close at 8pm ET on September 12, 2025, with winners announced at a ceremony on September 13, 2025, during SPX. Fans and readers can cast their votes online at spxpo.com/ignatz-awards.

The nominations reflect a diverse mix of creators, publishers, and works, with Drawn & Quarterly leading with five nominations, followed closely by Fantagraphics and Silver Sprocket with four each. Emerging publisher CRAM Books, founded in 2021, secures three nominations, while Avery Hill Publishing, Iron Circus, and others also make strong showings. Notably, Anders Nilsen stands out as the most nominated creator, earning three nods for Tongues and Tongues Supplement #1.

Below is a comprehensive breakdown of the 2025 Ignatz Awards nominees across all categories:

Outstanding Artist

  • Sarah Airriess, The Worst Journey in the World (Iron Circus Comics)

  • Deb JJ Lee, Death Fiddles and We Dance (Self-Published/Shortbox)

  • Kazimir Lee, Low Orbit (Top Shelf Productions)

  • Lomig, JOHN MUIR: To the Heart of Solitude (NBM Graphic Novels)

  • Anders Nilsen, Tongues Supplement #1 (NoMiracles)

Outstanding Anthology

  • Braba: A Brazilian Comics Anthology, edited by Rafael Grampá and Janaína de Luna (Fantagraphics)

  • Come Find Me, edited by Will Dennis and Sean Edgar (DSTLRY)

  • Datura Magazine vol. 3, edited by Sunmi and Mar Julia (Self-Published)

  • Loud: Stories to Make Your Voice Heard, edited by Brett Israel (Dark Horse Comics)

  • Rust Belt Review vol. 6, by Sean Knickerbocker (Self-Published)

Outstanding Collection

  • I Ate the Whole World to Find You, by Rachel Ang (Drawn and Quarterly)

  • Milk White Steed, by Michael D. Kennedy (Drawn and Quarterly)

  • Preparing to Bite, by Keiler Roberts (Drawn and Quarterly)

  • Them-Shaped Cloud, by Max Huffman (CRAM Books)

  • World Within the World, by Julia Gfrörer (Fantagraphics)

Outstanding Comic

  • Belly Full of Heart, by Madeline Mouse (Silver Sprocket)

  • Big Gamble Rainbow Highway, by Connie Meyers (CRAM Books)

  • Lucky Cap Scouts, by O. Stevens (Silver Sprocket)

  • The Re-Up #6, by Chad Bilyeu and Juliette de Wit (Bistro Books)

  • Tongues Supplement #1, by Anders Nilsen (NoMiracles)

Outstanding Graphic Novel

  • Adrift on a Painted Sea, by Tim Bird (Avery Hill Publishing)

  • Land of Mirrors, by María Medem, translated by Aleshia Jensen & Daniela Ortiz (Drawn and Quarterly)

  • Precious Rubbish, by Kayla E. (Fantagraphics)

  • Processing: 100 Comics That Got Me Through It, by Tara Booth (Drawn and Quarterly)

  • Skin, by Mieke Versyp and Sabien Clement (Fantagraphics)

Outstanding Minicomic

  • Allodynia, by Violet Kitchen (Self-Published)

  • Big Apple Matinee, by A. T. Pratt (Self-Published)

  • The Connoisseurs, by Alex Swift (Frog Farm)

  • The Mole, by Arantza Peña Popo (Self-Published)

  • Szarlotka, by Jas Hice (Frog Farm)

Outstanding Series

  • Disciples of Soil, by B. Mure (Avery Hill Publishing)

  • PeePee PooPoo, by Caroline Cash (Silver Sprocket)

  • The Re-Up, by Chad Bilyeu & Juliette de Wit (Bistro Books)

  • Tongues, by Anders Nilsen (NoMiracles)

  • Wedding Juice, by Sanika Phawde (Self-Published)

Outstanding Story

  • A Pillbug Story, by Allison Conway (Black Panel Press)

  • Ballad for Black Cassandra, by Olivia Stephens (Self-Published)

  • Boy Island, by Leo Fox (Silver Sprocket)

  • How to Talk to Your Succulent, by Zoe Persico (Tundra Book Group)

  • Ruin of the House of the Divine Visage, by Spire Greenwood and Eve Greenwood (Self-Published)

Promising New Talent

  • Trishelle Jeffery, Best Breasts in the West (Fieldmouse Press)

  • Mili St. John, The Edge of Autumn (Self-Published)

  • Ricky Lima and Daniele Aquilani, Undergrowth (Top Shelf Productions)

  • Connie Meyers, Big Gamble Rainbow Highway (CRAM Books)

  • Vicky Yang, Unmoored (Self-Published)

Voting and Announcement Details

The 2025 Ignatz Awards nominees were announced on platforms like Comics Beat (www.comicsbeat.com/the-2025-ignatz-award-nominees-have-arrived/). Readers and fans can vote online at spxpo.com/ignatz-awards until 8pm ET on September 12, 2025. The winners will be celebrated at the SPX ceremony on September 13, 2025, highlighting the best in indie comics.

This year’s nominations underscore the richness of the indie comics scene, with a blend of established publishers and self-published creators pushing creative boundaries. Don’t miss your chance to support your favorites by voting!

]]> Baltimore Comic-Con 2025: A Must-Attend Celebration of Comics and Creativity! https://ishookcomics.net/baltimore-comic-con-2025-a-must-attend-celebration-of-comics-and-creativity https://ishookcomics.net/baltimore-comic-con-2025-a-must-attend-celebration-of-comics-and-creativity Fri, 15 Aug 2025 07:02:24 -0400 BLBlankenship Get ready, comic fans! The 26th Annual Baltimore Comic-Con is set to take over the Inner Harbor’s Baltimore Convention Center from October 17-19, 2025, and it’s shaping up to be an unforgettable weekend of creativity, fandom, and epic storytelling. Known as “America’s Greatest Comic Book Convention,” this event brings together legendary creators, rising stars, and passionate fans for three days of non-stop excitement. Whether you’re a die-hard collector, a cosplay enthusiast, or just love immersing yourself in the world of comics, Baltimore Comic-Con 2025 is the place to be

Star-Studded Guest Lineup

Baltimore Comic-Con 2025 boasts an incredible roster of special guests, featuring some of the most iconic names in comics alongside fresh talent pushing the boundaries of the medium. Here’s a look at just a few of the luminaries you’ll have the chance to meet:

  • Chris Claremont: The legendary writer behind The Uncanny X-Men and The New Mutants, Claremont redefined superhero storytelling and made the X-Men a global phenomenon. His return to Baltimore is a major draw for fans of mutant mayhem

  • Garth Ennis (Saturday and Sunday only): Known for gritty, groundbreaking work on The Boys, Preacher, and Hellblazer, Ennis brings his signature blend of dark humor and raw storytelling to the con.

  • Jeff Smith: The creator of the beloved Bone series, Smith’s Eisner Award-winning work has captivated readers of all ages with its whimsical yet epic storytelling. Don’t miss this chance to meet a true indie comics icon

  • Mark Buckingham: A fan favorite for his work on Fables and Miracleman, Buckingham’s intricate art and storytelling have earned him a devoted following.

  • Trish Forstner: An Eisner and Ringo Award-nominated artist, Forstner’s expressive work on Stray Dogs and Feral blends classic animation vibes with modern storytelling. Her covers for Dynamite’s Disney comics are a must-see

  • Afua Richardson: A multi-talented illustrator, musician, and voice actor, Richardson’s work on Black Panther: World of Wakanda and The Wild Storm showcases her dynamic style and cultural acudir: cultural impact.

  • Adam Kubert: A titan of the industry, Kubert’s work on Wolverine & Deadpool: WWIII and Giant-Size X-Men has defined some of Marvel’s most iconic characters.

  • Brian K. Vaughan (Friday and Saturday only): The mastermind behind Saga, Y: The Last Man, and Runaways, Vaughan’s storytelling has redefined modern comics. Limited fan packages are available, so act fast

  • Jose Luis Garcia-Lopez: A DC Comics legend, Garcia-Lopez’s timeless work on Superman, Batman, and Hawkman has shaped the look of these heroes for generations.

  • David Finch: Known for his raw, gritty art on Wonder Woman and Moon Knight, Finch’s dynamic style brings superheroes to life with unmatched intensity.

This is just a taste of the talent attending! With over 100 creators, including Kaare Andrews (Spider-Man: REIGN 2), Jim Cheung (Young Avengers), Becky Cloonan (Batman), and Mike Grell (Green Arrow: The Longbow Hunters), there’s someone for every fan to geek out over. Check the full guest list at baltimorecomiccon.com for the latest updates

Panels and Programming: Where Comics Come to Life

Baltimore Comic-Con isn’t just about meeting your favorite creators—it’s about diving deep into the world of comics through engaging panels and interactive programming. While the full schedule will be released closer to the event, expect a packed lineup of discussions, workshops, and spotlights that cater to every interest.

  • Creator Spotlights: Hear from industry giants like Chris Claremont and Garth Ennis as they share behind-the-scenes stories about their iconic runs and current projects. These panels are a goldmine for aspiring creators and longtime fans alike.

  • Art and Storytelling Workshops: Learn the craft of comics from masters like Jose Luis Garcia-Lopez or Trish Forstner. From sketching techniques to narrative structure, these sessions offer hands-on insights into the creative process.

  • Industry Insights: Curious about the future of comics? Panels featuring editors, writers, and artists will dive into upcoming projects, trends in the industry, and how to break into the biz.

  • Media Guest Panels: With stars like Giancarlo Esposito, Carl Lumbly, and Bonnie Wright attending, expect exciting discussions about their roles in film and TV adaptations of your favorite comics and franchises. Limited tickets for these sessions are available, so grab them now

  • Ringo Awards: The prestigious Ringo Awards ceremony, honoring the best in comics, is a highlight of the weekend. Celebrate the industry’s finest with creators and fans in a night of recognition and inspiration.

Things to Do: A Comic Lover’s Paradise

Baltimore Comic-Con 2025 is packed with activities to keep you entertained from start to finish:

  • Exhibit Hall: Explore a sprawling exhibit hall filled with vendors offering everything from rare back-issues to exclusive collectibles like Toon Tumblers and comic-themed apparel. Whether you’re hunting for a first-edition X-Men or unique merch, you’ll find it here.

  • Artist Alley: Get up close with creators in Artist Alley, where you can snag sketches, commissions, and signed copies of your favorite comics. It’s the perfect place to connect with talents like Jeff Dekal or Kevin Maguire.

  • Cosplay Events: Show off your costume skills in the Adult and Children’s Cosplay Contests, or join the Cosplay Showcase to strut your stuff. New this year, the Cosplay Photography Contest lets shutterbugs capture the best cosplay moments for a chance to win prizes

  • Yearbook Scavenger Hunt: Collect signatures from attending artists in the annual Baltimore Comic-Con Yearbook for a chance to win exclusive prints. This year’s theme promises to be a fan-favorite, so bring your hunting skills

  • Kids’ Programming: Families, rejoice! Kids 10 and under get in free with a paid adult ticket, and there are plenty of kid-friendly activities, including workshops and the Children’s Cosplay Contest.

Why You Can’t Miss Baltimore Comic-Con 2025

Held in the heart of Baltimore’s vibrant Inner Harbor, this convention is a celebration of everything that makes comics special. From meeting legends like Jeff Smith and Brian K. Vaughan to discovering new favorites like Trish Forstner, you’ll be immersed in a community that lives and breathes storytelling. The event’s intimate vibe sets it apart from larger cons, offering unparalleled access to creators and a welcoming atmosphere for fans of all ages.

With tickets already on sale (including VIP options for exclusive perks), now’s the time to secure your spot. Don’t wait—this is your chance to rub elbows with comics royalty, score one-of-a-kind collectibles, and make memories that’ll last a lifetime. Head to baltimorecomiccon.com to grab your tickets and stay updated on the latest guest announcements and programming details. Follow their socials for real-time hype: #baltimorecomiccon

Baltimore Comic-Con 2025 is more than an event—it’s a pilgrimage for comic fans. Get ready to dive into a world of heroes, villains, and endless creativity. We’ll see you in Baltimore, October 17-19, 2025!

]]> New York Comic Con 2025 Panels https://ishookcomics.net/new-york-comic-con-2025-panels https://ishookcomics.net/new-york-comic-con-2025-panels Fri, 15 Aug 2025 05:44:57 -0400 BLBlankenship New York Comic Con 2025: A Pop Culture Extravaganza Awaits!

The Panels: A Comic Lover’s Dream Lineup

NYCC 2025 is pulling out all the stops with a stacked lineup of comics panels that will leave fans buzzing and creators inspired. Here’s a rundown of some of the must-see panels, as highlighted by Bleeding Cool and other comics news sources like Comic Basics and The Popverse:

Thursday, October 9: Kicking Off with a Bang

  • Celebrating Five Years of The Department of Truth (11:15 AM – 12:15 PM, Room 1C03)
    James Tynion IV and Martin Simmonds take the stage to reflect on the Eisner-nominated The Department of Truth, a series that feels more like a chilling prophecy than fiction. Moderated by Steve Foxe, this panel will dive into the past five years and tease what’s next for this conspiracy-laden masterpiece. Perfect for fans of mind-bending storytelling

  • DC Black Label, and Beyond! (12:30 PM, Room 409)
    DC Comics is redefining adult graphic fiction with its Black Label imprint. Expect surreal explorations of identity, dystopian visions, and genre-defying stories. Moderated by DC Executive Editor Chris Conroy, this panel will showcase unique voices in horror, fantasy, and speculative drama. If you love comics that push boundaries, this is your spot

  • NacelleVerse Unleashed: Biker Mice from Mars, RoboForce & More (12:45 PM – 1:45 PM, Room 1C03)
    Brian Volk-Weiss (The Toys That Made Us) and the Nacelle team unveil their animated universe, connecting fan-favorite franchises like Biker Mice from Mars and RoboForce. Expect sneak peeks at new shows, toys, and comics—a nostalgic treat for ’90s kids and creators looking to tap into retro-inspired storytelling.

  • Go, Speed Racer, Go!: The Return of an Icon (2:30 PM – 3:30 PM, North-Room 406.2)
    Mad Cave Studios revs up with a new Speed Racer comic series. The creative team will discuss reimagining this iconic anime and manga for a new generation. Fans of high-octane action and creators interested in adapting classic IPs won’t want to miss this

  • Marvel Comics: Spider-Man and His Venomous Friends (3:30 PM, Room 405)
    Spider-Man in space? Mary Jane as Venom? Buckle up for a wild ride with VP & Executive Editor Nick Lowe, Senior Editor Jordan D. White, Editor-in-Chief C.B. Cebulski, writer Al Ewing, and more. Get the scoop on Amazing Spider-Man, Venom, and the return of Knull, plus an exclusive giveaway comic for attendees

  • Comixology Presents: Lights, Camera…Comix! (3:30 PM – 4:30 PM, North-Room 406.3)
    Join actor Thomas Jane (The Punisher), writers Marc Bernardin, Steven DeKnight, Gary Phillips, and Pornsak Pichetshote to explore the intersection of comics and film/TV. Moderated by Rob Salkowitz, this panel is a goldmine for creators bridging mediums and fans who love multimedia storytelling.

  • BAD IDEA: The New York Comic Con Panel (5:15 PM – 6:15 PM, Room 1C03)
    BAD IDEA brings the heat with masterminds like Derek Kolstad (John Wick), Matt Kindt, and Joshua Dysart. Expect exclusive looks at Planet Death, Ordained, Survive, and more, plus a convention-exclusive giveaway. This panel is a must for fans of bold, unconventional comics and creators pushing the envelope.

Friday, October 10: Superhero Showdowns and More

  • DC Comics: Gotham City (12:30 PM, Room 409)
    Walk the dark streets of Gotham with top DC creators, including Alex Segura (The Question), Christian Ward (Batman: City of Madness), and Dan Watters (Nightwing). Moderated by DC Group Editor Rob Levin, this panel promises news and surprises for Batman fans and creators fascinated by gritty urban narratives.

  • A Live Comic Podcast Crossover Event (12:45 PM – 1:45 PM, Room 1C03)
    The Short Box, Comic Book Couples Counseling, and The Oblivion Bar unite for a live crossover podcast, celebrating the best comics and creators of 2025. Expect surprises and lively discussions—a perfect blend for fans and creators who love the community vibe of comics fandom.

  • Marvel Fanfare with C.B. Cebulski (2:00 PM, Room 405)
    Marvel’s Editor-in-Chief C.B. Cebulski chats with artist J. Scott Campbell about his iconic style and new J.S.C. Variant Covers. Attendees score an exclusive giveaway comic featuring Campbell’s art. A must for Marvel fans and aspiring artists looking to break into the industry

  • Marvel Comics: X-Men (3:30 PM, Room 405)
    The Age of Revelation dawns for the X-Men! Join Nick Lowe, Tom Brevoort, C.B. Cebulski, Jed MacKay, and Ryan Stegman for secrets, first looks, and cover reveals. Stay for an exclusive giveaway comic and get ready for a bold new mutant future.

  • ONI Press: The Loudest Thing in Color (3:30 PM – 4:15 PM, North-Room 406.3)
    Oni Press celebrates its most successful year yet with EC Comics, Adventure Time, and Biker Mice from Mars. Join President & Publisher Hunter Gorinson and creators for a look at upcoming comics and graphic novels. A vibrant panel for fans and creators alike

  • TMNT: What’s Next for the Heroes in a Half Shell? (5:15 PM – 6:15 PM, Room 1C03)
    New York is TMNT’s home turf! IDW’s Ninja Turtles comics take center stage with Gene Luen Yang and Freddie Williams II, teasing the Battle Nexus event and more. Fans will be shouting “Cowabunga!” by the end.

  • Jim Lee & Friends (6:30 PM, Room 405)
    DC President and Chief Creative Officer Jim Lee hosts a star-studded panel with surprise announcements and top creators. This annual event is a highlight for fans and creators dreaming of big reveals in the DC Universe.

Saturday, October 11: The Comics Crescendo

  • Todd McFarlane and J. Scott Campbell: Legends in Conversation (11:45 AM – 12:45 PM, North-Room 406.1)
    Two titans, Todd McFarlane and J. Scott Campbell, share insights on their careers and the evolution of comics. A rare chance for fans to hear from legends and for creators to learn from industry pioneers.

  • DC K.O.: What’s Next (12:15 PM, Room 409)
    Dive into DC’s All In initiative with DC K.O., Knightfight, and Absolute comics. Moderated by Paul Kaminski and Rob Levin, this panel features creators like Al Ewing, Jason Aaron, and Scott Snyder. A must for fans and creators tracking DC’s bold new direction.

  • Image Comics – Let’s Talk Comics LIVE: Brian K Vaughan (12:15 PM – 1:15 PM, Room 1C03)
    Master storyteller Brian K Vaughan discusses his new OGN Spectators and updates on SAGA. This intimate conversation is a goldmine for fans and creators who admire character-driven storytelling.

  • Marvel Comics: Next Big Thing (3:30 PM, Room 405)
    The weekend’s premier comics panel! C.B. Cebulski, Nick Lowe, Wil Moss, and Phillip Kennedy Johnson reveal Marvel’s future, including the climactic Ultimate Endgame. Stay for an exclusive giveaway comic.

  • Transformers & G.I. Joe: A New Era for The Energon Universe (Time TBD)
    Robert Kirkman, Joshua Williamson, and more dive into the Energon Universe, connecting Transformers, G.I. Joe, and Void Rivals. Expect big reveals and surprises for fans and creators invested in interconnected universes.

Sunday, October 12: A Grand Finale

  • X-Men: Days of Future Past Reunion (12:00 PM, Empire Stage)
    James McAvoy, Nicholas Hoult, and Elliot Page reunite to reminisce about their X-Men roles. This panel is a love letter to fans and a chance for creators to learn from actors who brought Marvel’s mutants to life.

Beyond Comics: TV, Movies, and More

NYCC 2025 isn’t just about comics—it’s a pop culture juggernaut! Here are some non-comics panels that fans and creators won’t want to miss:

  • A Knight of the Seven Kingdoms (Thursday, 12:00 PM, Empire Stage)
    George R.R. Martin and stars Peter Claffey and Dexter Sol Ansell introduce HBO’s Game of Thrones prequel. A must for fantasy fans and writers crafting epic worlds.

  • Mercy: Exclusive First Look (Thursday, 2:30 PM, Empire Stage)
    Chris Pratt, Kali Reis, and director Timur Bekmambetov unveil the sci-fi thriller Mercy. Perfect for creators interested in high-stakes storytelling and fans of futuristic crime dramas.

  • Invincible Season 4 (Thursday, 5:30 PM Empire Stage)
    Steven Yeun, Gillian Jacobs, and Robert Kirkman tease Invincible Season 4. A can’t-miss for fans of animated superhero epics and creators studying adaptation.

  • The Running Man (Friday, 11:00 AM, Empire Stage)
    Edgar Wright, Glen Powell, and Lee Pace preview the action-packed The Running Man. A thrilling panel for fans and creators inspired by Stephen King’s work.

  • It: Welcome to Derry (Saturday, 11:00 AM, Empire Stage)
    Andy Muschietti and cast members like Taylour Paige and Jovan Adepo share never-before-seen footage from HBO’s It prequel. Horror fans and creators, this one’s for you

Other Things to Do at NYCC 2025

NYCC is more than just panels—it’s a full-on pop culture immersion! Here’s a rundown of other experiences to make your con unforgettable:

  • Artist Alley: Meet superstar creators like J. Scott Campbell, Brian K Vaughan, and Gene Luen Yang. Perfect for fans seeking autographs and creators looking to network or pitch ideas. Bring your portfolio for feedback or snag a sketch

  • Cosplay Central: Show off your costume or marvel at others’ creations at the Cosplay Central area. Participate in the Cosplay Championship or join photo ops. It’s a vibrant space for fans to express themselves and creators to draw inspiration from fan creativity.

  • Exhibitor Floor: Browse booths from Marvel, DC, Image, Oni Press, and more for exclusive comics, merch, and collectibles. Check out Marvel Contest of Champions for hands-on demos or grab limited-edition items like the Peach Momoko Spawn #357 at Spectral Comics.

  • Interactive Experiences: From gaming demos to VR setups, NYCC’s exhibitor floor offers hands-on fun. Try out new games or explore brand activations for immersive storytelling experiences.

  • Autographing and Photo Ops: Meet celebrities like Chris Pratt, James McAvoy, or Steven Yeun for autographs and photos (details at NewYorkComicCon.com). A dream come true for fans and a chance for creators to connect with industry stars.

  • Livestreamed Panels: Can’t make it to NYC? ReedPop and Paragon Creative Agency are livestreaming select Main Stage panels for free, so you can join the fun from anywhere

Experiences for Creators

NYCC 2025 is a creator’s paradise, offering unparalleled opportunities to learn, network, and grow:

  • Portfolio Reviews: Publishers like DC, Marvel, and Image often host portfolio reviews in Artist Alley or at their booths. Bring your best work to get feedback from industry pros and maybe even land a gig

  • Panels on Craft: Panels like Comixology Presents: Lights, Camera…Comix! and Todd McFarlane and J. Scott Campbell: Legends in Conversation offer insights into storytelling, art, and breaking into the industry. Aspiring writers and artists can learn from the best.

  • Networking Opportunities: The Wednesday professionals-only day (October 8) is perfect for comic industry pros to connect with publishers, editors, and fellow creators. Plus, the show floor and after-hours events (like bar meetups) are great for casual networking.

  • BAD IDEA’s Bold Approach: The BAD IDEA panel showcases innovative storytelling and unconventional publishing. Creators looking to think outside the box will find inspiration here.

Experiences for Fans

Fans, NYCC 2025 is your playground! Here’s how to make the most of it:

  • Exclusive Giveaways: Panels like Marvel Comics: Spider-Man and His Venomous Friends and Marvel Fanfare offer exclusive comics. Arrive early to snag these collector’s items

  • Celebrity Sightings: Rub elbows with stars like Glen Powell, Peter Claffey, or Elliot Page at panels or autograph sessions. The X-Men: Days of Future Past Reunion is a fan-favorite for mutant lovers.

  • Community Vibes: Join the live podcast crossover at A Live Comic Podcast Crossover Event or connect with fellow fans at cosplay meetups. NYCC is a place to celebrate your fandom and make lifelong friends.

  • Anime and Gaming Galore: Crunchyroll’s panels, like the One Piece discussion, and gaming booths like Marvel Contest of Champions cater to anime and gaming fans. Expect trailers, demos, and surprises

Tips for an Epic NYCC Experience

  • Plan Ahead: The NYCC schedule is packed (check NewYorkComicCon.com for the full lineup). Prioritize must-see panels and use the NYCC app to stay organized.

  • Arrive Early: Popular panels like Marvel Comics: Next Big Thing fill up fast. Get in line early to secure a spot.

  • Stay Safe and Healthy: With large crowds, bring a mask and hand sanitizer to avoid “con crud.” Stay hydrated and take breaks to recharge.

  • Explore NYC: After the con, check out comic shops like Midtown Comics or Forbidden Planet, or grab a slice at Joe’s Pizza to soak in the city’s nerdy vibe.

Why NYCC 2025 Is Unmissable

New York Comic Con 2025 is more than an event—it’s a celebration of creativity, fandom, and community. Whether you’re a fan screaming “Cowabunga!” at the TMNT panel, a creator pitching your dream comic to an editor, or a cosplayer strutting your stuff, NYCC has something for everyone. With panels featuring industry legends, exclusive previews of comics, TV, and movies, and a vibrant show floor buzzing with energy, this is the place to let your geek flag fly.

Tickets are on sale now (since June 25, 2025), so don’t wait—grab yours at NewYorkComicCon.com and join the pop culture takeover at the Javits Center! Whether you’re there for the comics, the celebs, or the sheer joy of being surrounded by 200,000 fellow nerds, NYCC 2025 promises to be an unforgettable adventure. See you in the Big Apple, true believers!

]]> 2025 Harvey Awards Nominees Announced https://ishookcomics.net/2025-harvey-awards-nominees-announced https://ishookcomics.net/2025-harvey-awards-nominees-announced Tue, 12 Aug 2025 15:35:11 -0400 BLBlankenship 2025 Harvey Awards Nominees: A Celebration of Comics at New York Comic Con

The Harvey Awards, one of the comic industry’s most prestigious honors, have announced their 2025 nominees, showcasing an impressive array of talent across various categories. Held annually at New York Comic Con (NYCC), the awards celebrate excellence in comic books, graphic novels, manga, and adaptations. Named after Harvey Kurtzman, the legendary creator of MAD Magazine, the Harveys are selected by a curated committee of industry professionals, including creators, publishers, retailers, educators, and librarians. Voting is open until September 2, 2025, for those with a Professional or Artist Alley badge from any ReedPop comic convention between 2016 and 2025. The awards ceremony will be streamed live from NYCC, with the date and time to be announced. For more details, visit harveyawards.com or follow the Harvey Awards on Facebook, Instagram, and Twitter.

Book of the Year

This category highlights outstanding long-form graphic novels or collections:

  • Beneath the Trees Where Nobody Sees by Patrick Horvath (IDW Publishing)

  • Final Cut by Charles Burns (Pantheon)

  • Helen of Wyndhorn by Tom King & Bilquis Evely (Dark Horse)

  • Precious Metal: From the World of Little Bird by Darcy Van Poelgeest & Ian Bertram (Image Comics)

  • Ultimate Spider-Man Vol. 1 by Jonathan Hickman & Marco Checchetto (Marvel Comics)

Digital Book of the Year

Webtoon dominates this category with three of the five nominations, showcasing the growing influence of digital comics:

  • Castle Swimmer by Wendy Lian Martin (Webtoon)

  • Morgana and Oz by Miyuli (Webtoon)

  • The Mafia Nanny by SH00 & Violet Matter (Webtoon)

  • Resenter by Gigi Murakami (VIZ Manga)

  • Sarah’s Scribbles by Sarah Anderson (Go Comics)

Best Children’s Book

These titles captivate young readers with engaging stories and art:

  • The Cartoonists Club by Raina Telgemeier & Scott McCloud (Graphix)

  • Chickenpox by Remy Lai (Allen & Unwin)

  • Free Piano (Not Haunted) by Whitney Gardner (Simon & Schuster Books for Young Readers)

  • Mixed-Up by Kami Garcia & Brittney Williams (First Second)

  • Song for You and I by Kay O’Neil (RH Graphic)

  • Weirdo by Tony Weaver Jr., Jess Wibowo, & Cin Wibowo (First Second)

Best Young Adult Book

These graphic novels resonate with teen audiences, blending compelling narratives with diverse themes:

  • Ash’s Cabin by Jen Wang (First Second)

  • How It All Ends by Emma Hunsinger (Greenwillow Books)

  • Navigating with You by Jeremy Whitley, Cassio Ribeiro & Nikki Foxrobot (Maverick/Mad Cave)

  • Raised by Ghosts by Briana Loewinsohn (Fantagraphics)

  • Strange Bedfellows by Ariel Slamet Ries (HarperAlley)

Best Manga

This category celebrates manga translated into English, showcasing a range of genres:

  • The Guy She Was Interested in Wasn’t a Guy at All by Sumiko Arai, translated by Ajani Oloye (Yen Press)

  • The Summer Hikaru Died by Mokumokuren, translated by Ajani Oloye (Yen Press)

  • Tokyo These Days by Taiyo Matsumoto, translated by Michael Arias (Viz Media)

  • Wind Breaker by Satoru Nii, translated by Jacqueline Fung (Kodansha Comics)

  • Witch Hat Atelier by Kamome Shirahama, translated by Stephen Kohler (Kodansha Comics)

Best International Book

These works, translated into English, highlight global storytelling:

  • Blacksad: They All Fall Down Part 2 by Juan Díaz Canales & Juanjo Guarnido, translated by Diana Schutz & Brandon Kaner (Dark Horse Books)

  • Mothballs by Sole Otero, translated by Andrea Rosenberg (Fantagraphics)

  • Muybridge by Guy Delisle, translated by Helge Dascher & Rob Aspinall (Drawn & Quarterly)

  • Sunday by Olivier Schrauwen (Fantagraphics)

  • The Road: A Graphic Novel Adaptation by Manu Larcenet, from the novel by Cormac McCarthy (Abrams)

Best Adaptation from Comic Book/Graphic Novel

Unlike other comic awards, the Harveys include a unique category pitting musicals, plays, movies, and TV shows against each other:

  • Agatha All Along (Disney+), showrun by Jac Schaeffer, based on Agatha Harkness (Marvel Comics), created by Stan Lee & Jack Kirby

  • Berlin: The Play (Court Theatre), adapted by Mickle Maher & directed by Charles Newell, based on Berlin by Jason Lutes (Drawn & Quarterly)

  • Boop! The Musical, music by David Foster, lyrics by Susan Birkenhead, book by Bob Martin, based on Betty Boop created by Max Fleischer & Grim Natwick

  • Cat Kid Comic Club!: The Musical, music by Brad Alexander, book and lyrics by Kevin Del Aguila, based on Cat Kid Comic Club by Dav Pilkey (Graphix)

  • Daredevil: Born Again (Disney+), showrun by Dario Scardapane, inspired by Daredevil: Born Again by Frank Miller & David Mazzucchelli, created by Stan Lee & Bill Everett

  • The Fantastic Four: First Steps (Marvel Studios), directed by Matt Shakman, based on The Fantastic Four (Marvel Comics), created by Stan Lee & Jack Kirby

  • Paying For It, directed by Sook-Yin Lee, based on Paying For It by Chester Brown (Drawn & Quarterly)

  • The Penguin (Max Original), showrun by Lauren LeFranc, based on The Penguin (DC Comics), created by Bob Kane & Bill Finger

  • Superman (DC Studios), directed by James Gunn, based on Superman (DC Comics), created by Jerry Siegel & Joe Schuster

  • Thunderbolts (Marvel Studios), directed by Jake Schreier, based on Thunderbolts (Marvel Comics), created by Kurt Busiek & Mark Bagley

Notable Trends and Publishers

Webtoon leads the Digital Book of the Year category with three nominations: Castle Swimmer, Morgana and Oz, and The Mafia Nanny. First Second matches this with three nominations across categories, including Mixed-Up and Weirdo in Best Children’s Book and Ash’s Cabin in Best Young Adult Book. Fantagraphics also secures three nominations, with Raised by Ghosts and Mothballs in Best Young Adult Book and Sunday in Best International Book. Dark Horse, Viz, Yen Press, and Kodansha each earned two nominations, while Marvel dominates the Best Adaptation category with four nominations, despite only one print nomination for Ultimate Spider-Man Vol. 1.

Voting and Ceremony Details

Voting is exclusive to comic industry professionals with a Professional or Artist Alley badge from a ReedPop convention between 2016 and 2025. Eligible voters have already received invitations, and those interested can apply to vote at harveyawards.com/apply-to-vote. The awards ceremony, to be livestreamed during NYCC (October 9-12, 2025), will also announce the 2025 Hall of Fame inductees. Stay updated via the official Harvey Awards website or social media.

Why It Matters

The Harvey Awards celebrate the diversity and creativity of the comic industry, from indie gems to blockbuster adaptations. With categories spanning print, digital, and multimedia, they highlight the evolving landscape of sequential art. Whether you’re a fan, creator, or industry professional, the 2025 nominees offer a rich selection to explore. Check out NYCC details at newyorkcomiccon.com and dive into the world of comics

]]> The San Diego Comic-Con 2025 Toxicity Controversy https://ishookcomics.net/the-san-diego-comic-con-2025-toxicity-controversy https://ishookcomics.net/the-san-diego-comic-con-2025-toxicity-controversy Mon, 11 Aug 2025 16:15:20 -0400 BLBlankenship The San Diego Comic-Con 2025 Toxicity Controversy: A Call for Accountability and Dialogue

Introduction

San Diego Comic-Con (SDCC), one of the largest and most celebrated pop culture conventions in the world, has long been a haven for fans to express their passion for comics, movies, TV shows, and more. However, an incident at SDCC 2025 has sparked widespread outrage and reignited discussions about toxicity within fandoms and the responsibility of convention organizers to ensure a safe and inclusive environment. Posts on X have highlighted a troubling situation where two individuals were allegedly wrongfully accused of “degenerate behavior,” leading to their unjust removal from the convention by law enforcement and subsequent trauma. This controversy has not only exposed deep-seated issues within certain fan communities but also raised critical questions about accountability, harassment, and the role of conventions in managing such incidents.

This article explores the details of the SDCC 2025 toxicity controversy, the broader context of fandom culture, and the implications for future conventions. By examining the incident and its fallout, we aim to encourage open discourse about fostering healthier fan communities and ensuring conventions are safe spaces for all attendees.

The Incident at SDCC 2025

According to posts on X, the controversy began when two individuals were targeted in what has been described as a “doxxing campaign” within a specific fandom. This campaign led SDCC staff to wrongfully report the individuals to the police, resulting in their being escorted out of the convention and banned from the event. The accusations, which one user described as claims of “degenerate behavior,” were later deemed baseless, but the damage was done. The individuals reportedly experienced significant trauma from the incident, which was compounded by the public humiliation and lack of clear communication from SDCC security.

Details shared on X paint a disturbing picture of how the situation was handled. One user noted that SDCC security engaged in “vague, condescending intimidation games” rather than transparently explaining the accusations to the affected individuals. This lack of clarity and professionalism exacerbated the situation, leaving the targeted fans feeling mistreated and unsafe. The incident has been described as “harrowing” and “sickening,” with fans expressing outrage over the convention’s handling of the situation and calling for accountability from both SDCC and the San Diego Convention Center.

A Broader Culture of Toxicity

The SDCC 2025 incident is not an isolated event but rather a symptom of a broader issue within certain fan communities. Posts on X suggest that the fandom in question has a “deeply insidious harassment culture,” with multiple doxxing incidents leading up to the convention. Doxxing, the act of publicly revealing private personal information about an individual without their consent, is a form of online harassment that can have severe real-world consequences, as evidenced by the SDCC incident. The fact that such behavior culminated in real-world harm at a major convention underscores the need to address toxic dynamics within fandoms.

Fandoms, while often vibrant and creative spaces, can sometimes foster gatekeeping, cliques, and aggressive behavior toward those perceived as outsiders or threats to the community’s status quo. The anonymity of online platforms like X can amplify these tendencies, enabling bad actors to target individuals without immediate repercussions. In the case of SDCC 2025, the accusations against the two individuals appear to have been fueled by online harassment that spilled over into the physical space of the convention, highlighting the dangerous intersection of digital and real-world toxicity.

The Role of Convention Organizers

The SDCC 2025 controversy has also spotlighted the role of convention organizers in managing and mitigating such incidents. Fans have expressed frustration with SDCC and the San Diego Convention Center for their handling of the situation, particularly the security team’s failure to verify the accusations before escalating the matter to law enforcement. This has led to calls for greater transparency, better training for staff, and clear protocols for handling reports of misconduct.

One user on X shared a link to a form where fans can seek answers from SDCC regarding the incident, urging the convention to address the doxxing campaign and its consequences. Others have called for SDCC to issue a public statement and take steps to prevent similar incidents in the future. The lack of an official response from SDCC or the San Diego Convention Center, as noted in posts as recent as August 9, 2025, has only fueled the backlash and deepened distrust among fans.

Implications for Fandoms and Conventions

The SDCC 2025 toxicity controversy raises several critical questions: How can conventions balance the need for safety with the risk of acting on unverified information? What measures can be taken to combat toxic behavior within fandoms, both online and offline? And how can fans and organizers work together to create a more inclusive and respectful environment?

For conventions, the incident underscores the importance of robust policies and training to handle reports of misconduct. Clear communication, thorough investigations, and a commitment to fairness are essential to prevent wrongful accusations and ensure attendee safety. Conventions like SDCC, which attract tens of thousands of attendees annually, must also consider how their actions—or inaction—can amplify or mitigate harm within fan communities.

For fandoms, the controversy is a wake-up call to address toxic behaviors such as doxxing, harassment, and gatekeeping. Fans can play a role in fostering healthier communities by promoting positive engagement, supporting marginalized voices, and calling out harmful behavior when they see it. Online platforms like X, while powerful tools for fan discourse, must also be spaces where accountability and respect are prioritized.

A Call to Action

The SDCC 2025 toxicity controversy is a stark reminder that fandoms and conventions are not immune to the challenges of harassment and toxicity. It is also an opportunity for reflection and change. We encourage readers to engage in thoughtful discussions about this incident and its broader implications. What steps can conventions take to ensure attendee safety without perpetuating harm? How can fans hold each other accountable for toxic behavior? And how can we collectively build fandoms that celebrate creativity and diversity rather than division and harm?

Share your thoughts on X, reach out to convention organizers with constructive feedback, and advocate for policies that prioritize inclusivity and fairness. By fostering open dialogue and demanding accountability, we can work toward a future where conventions like SDCC are truly safe and welcoming spaces for all.

]]> SDCC Wrap Up w/ Comic Beat https://ishookcomics.net/sdcc-wrap-up-w-comic-beat https://ishookcomics.net/sdcc-wrap-up-w-comic-beat Wed, 30 Jul 2025 06:51:37 -0400 BLBlankenship Heidi MacDonald and Comics Beat Shine Bright at San Diego Comic-Con 2025: A Celebration of Pop Culture Excellence

San Diego Comic-Con 2025 (July 24–27) was a dazzling spectacle of creativity, fandom, and groundbreaking announcements, and no one captured its magic quite like Heidi MacDonald and her powerhouse team at Comics Beat. As the editor-in-chief of this premier destination for comics and pop culture news, Heidi’s unparalleled coverage of SDCC 2025 elevated the event to new heights, delivering vibrant, insightful, and passionate reporting that every fan needs to experience. From jaw-dropping reveals to heartfelt moments, Comics Beat was there for it all, proving once again why it’s the go-to source for the pulse of the industry. Let’s dive into the brilliance of Heidi MacDonald, Comics Beat, and the unforgettable highlights of SDCC 2025!

Heidi MacDonald: The Heart and Soul of Comics Journalism

Heidi MacDonald is nothing short of a legend in comics journalism, and her work at SDCC 2025 was a masterclass in storytelling. With her keen eye for detail and infectious enthusiasm, Heidi transformed every panel, activation, and announcement into a vivid narrative that brought the convention to life for readers worldwide. Whether she was breaking down the Eisner Awards or exploring the Gaslamp Quarter’s immersive pop-ups, her coverage was a love letter to the comics community. Her dedication earned Comics Beat the prestigious Eisner Award for Best Comics-Related Journalism, a testament to her tireless commitment to celebrating the art form and its fans.

Heidi’s ability to weave together the chaos and excitement of Comic-Con into compelling stories is unmatched. Her team’s on-the-ground reporting—covering everything from exclusive interviews to quirky cosplay moments—made Comics Beat the ultimate companion for SDCC attendees and those following from afar. As Heidi herself has noted, Comic-Con is cyclical, reflecting the heartbeat of pop culture, and her coverage captured that rhythm perfectly, making every reader feel like they were right there in the San Diego Convention Center.

Comics Beat: The Gold Standard of SDCC Coverage

Comics Beat was a beacon of excellence at SDCC 2025, delivering comprehensive, colorful, and captivating content that showcased the convention’s vibrant spirit. From their detailed recaps of panels like the Peacemaker Season 2 sneak peek to their exploration of offsite activations like Paramount+’s The Lodge, the Beat team left no stone unturned. Their coverage of the Eisner Awards, where diverse creators were celebrated, was particularly inspiring, highlighting the industry’s growth and inclusivity.

The Beat’s ability to juggle comics, film, TV, manga, and fan culture in one dynamic package is why it’s a must-read. Their newsletter and social media updates kept fans in the loop with real-time insights, while their in-depth articles offered a deeper dive into the convention’s biggest moments. Whether it was Marvel’s announcement of MARVEL Cosmic Invasion, a retro-inspired beat ‘em up game, or the Star Trek: Strange New Worlds immersive performances that wowed attendees, Comics Beat brought every story to life with flair and passion.

San Diego Comic-Con 2025: A Triumph of Fandom

SDCC 2025 was a glorious celebration of everything that makes fandom special, and Comics Beat was there to amplify its brilliance. The convention, held at the sprawling San Diego Convention Center, drew over 130,000 attendees, filling the halls with cosplay, collectibles, and camaraderie. Despite the absence of some major studios like Marvel and DC in Hall H, the event was anything but quiet, bursting with energy and surprises that kept fans buzzing.

One of the standout moments was the Peacemaker Season 2 panel, where James Gunn and stars like John Cena and Danielle Brooks shared exclusive footage, hinting at the DC Universe’s exciting future. Comics Beat’s coverage of this panel was electric, capturing the buzz around Gunn’s “under-the-radar” victory lap for the Superman reboot’s success. The Twisted Metal panel was another highlight, with Anthony Mackie, Stephanie Beatriz, and the cast revving up excitement for Season 2’s July 31 premiere. Comics Beat’s vivid reporting, including details of a sneak peek where Sweet Tooth hilariously mentors Stu, had fans roaring with anticipation.

Anime fans were treated to a spectacular showing, with Crunchyroll’s Demon Slayer: Kimetsu no Yaiba – Infinity Castle panel in Hall H showcasing a new movie trailer. Comics Beat’s recap of this event, complete with insights into the August 15 theatrical release, was a love letter to anime enthusiasts. The convention also saw unique activations like Paramount+’s The Lodge and Crunchyroll’s Anime Fan Fest at The Rady Shell, which Comics Beat explored with infectious excitement, inviting fans to dive into these immersive experiences.

Notable Moments That Stole the Show

SDCC 2025 was packed with moments that will go down in history, and Comics Beat was there to immortalize them. The Eisner Awards celebrated a diverse array of creators, with Comics Beat’s own Heidi MacDonald taking home a well-deserved accolade, proving her influence in the industry. The Star Trek Universe panel in Hall H, covered brilliantly by the Beat team, featured surprise performances and updates on Strange New Worlds Season 3, delighting Trekkies everywhere.

Marvel’s presence, while not in Hall H, was felt through their MARVEL Cosmic Invasion panel, revealing a cosmic brawler game with never-before-seen footage. Comics Beat’s behind-the-scenes breakdown was a treat for gamers and comic fans alike. The Rick and Morty universe expanded with the announcement of a President Curtis spin-off starring Keith David, and Comics Beat’s coverage captured the hilarity and heart of this reveal.

Offsite activations were a highlight, with Comics Beat raving about Paramount+’s The Lodge and the Malibu Barbie Café, which turned Bayside Kitchen & Bar into a retro-glam paradise. These experiences, paired with the convention’s cosplay galore and expansive Exhibit Hall, made SDCC 2025 a feast for the senses, and Comics Beat brought every moment to life.

Why SDCC 2025 and Comics Beat Are Unmissable

San Diego Comic-Con 2025 was a triumph of creativity, community, and pop culture, and Heidi MacDonald’s Comics Beat was the perfect lens through which to experience it. From their award-winning journalism to their vibrant social media presence, Comics Beat captured the heart of SDCC, making every fan feel like part of the action. Heidi’s leadership, passion, and insight have solidified Comics Beat as the gold standard for comics and pop culture coverage, and her team’s work at SDCC 2025 was nothing short of spectacular.

Whether you’re a comic book aficionado, a TV and movie buff, or an anime enthusiast, SDCC 2025 had something for everyone, and Comics Beat was your ultimate guide. Don’t miss their ongoing coverage at comicsbeat.com and sign up for their newsletter to stay in the know. Here’s to Heidi MacDonald, Comics Beat, and the unstoppable spirit of San Diego Comic-Con—see you in 2026 for another epic adventure!

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