Popular Cosplayer/YouTuber heart-throb Snarky Jay joins the outcry against NETFLIX burning the world to the ground & making the people pay out of their noses for it.

Dec 14, 2025 - 06:37
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Why Netflix Owning Warner Bros. and DC Comics Would Be a Catastrophe for Hollywood – And Why David Ellison Is the Hero We Need

In the wake of shocking reports that Netflix is poised to acquire Warner Bros., including the iconic DC Comics universe, a chorus of concerned voices is rising across the entertainment industry. This potential deal isn't just another corporate merger – it's a looming threat to theatrical releases, local cinemas, physical media like DVDs, retail ecosystems, and even the long-term health of the comic book publishing world. Anyone paying attention can see the writing on the wall: Netflix's track record of prioritizing streaming over everything else could spell disaster for the diverse, vibrant Hollywood we've known for decades.

Popular YouTuber Snarky Jay Cosplay is just the latest to sound the alarm, joining a growing list of insightful commentators who recognize the dangers. Outlets like That Park Place have highlighted how this move could shorten or eliminate meaningful theatrical windows, hurting exhibitors and fans alike. Industry insiders and analysts, echoing concerns from figures like filmmaker James Cameron – who has repeatedly warned that Netflix's approach risks sidelining the sacred movie-going experience in favor of home viewing – are urging caution. Even politicians such as Senator Elizabeth Warren have flagged serious antitrust issues, noting the potential for reduced competition and higher costs for consumers.

The fears are well-founded. Netflix has built its empire on direct-to-streaming content, often with minimal or token theatrical runs. Acquiring Warner Bros. and DC could mean blockbuster franchises like Batman, Superman, and the broader DC Universe get funneled primarily into Netflix's platform, bypassing the wide releases that drive box office success, support jobs in theaters, and keep physical media alive. Retailers who rely on DVD and Blu-ray sales would suffer, as would the comic book industry itself – already a niche market that thrives on tie-ins to theatrical events and dedicated publishing. Flooding the market with streaming-first adaptations risks diluting the cultural impact of these stories, potentially overwhelming independent creators and shrinking opportunities outside the Netflix bubble.

This is why so many are rallying behind an alternative vision: David Ellison and Paramount Skydance stepping in to acquire Warner Bros. Ellison, the forward-thinking leader who recently steered the successful Paramount-Skydance merger, has shown a clear commitment to preserving the theatrical model. His approach emphasizes robust cinema releases, respecting the ecosystem that includes theaters, retailers, and fans who cherish physical collections. In a landscape where consolidation is inevitable, Ellison represents a balanced path – one that strengthens Hollywood without dismantling its foundations.

I've been vocal in my support for Ellison's bid from the start, campaigning publicly for Paramount Skydance to secure Warner Bros. As a passionate advocate for local movie theaters – I'm a proud member of the Cinemark Movie Club and frequent attendee – I believe Ellison's leadership would protect the big-screen magic that brings communities together. As a notable lyricist/songwriter, literary author, and more recently, a comic book writer in independent circles, I've seen firsthand how theatrical momentum fuels creativity across mediums, from books to comics.

My personal breaking point with Netflix? Their upcoming adaptation of C.S. Lewis' beloved Chronicles of Narnia series. Reports of significant changes, including shifts in timeline and potential reimaginings that stray far from Lewis' original intent, raise serious questions about fidelity to source material. Lewis' works are timeless treasures, rich with depth and meaning – any perceived lack of respect in adapting them feels emblematic of broader issues, like prioritizing platform exclusivity over shared cultural experiences in theaters. If a company proceeds with changes that many view as unnecessary alterations to cherished stories, it underscores a pattern of putting corporate strategy ahead of artistic integrity and audience traditions. This kind of approach, applied to Warner Bros. and DC, could erode trust across the industry.

It's clear that thoughtful voices – from creators like Cameron to analysts at That Park Place and beyond – share these concerns. The smart choice for Hollywood's future is one that honors theaters, respects legacy IP, and fosters competition without domination. David Ellison offers exactly that. Let's hope regulators and stakeholders see the bigger picture and choose the path that keeps Hollywood thriving for everyone.

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